{"id":13109,"date":"2019-06-27T16:05:49","date_gmt":"2019-06-27T14:05:49","guid":{"rendered":"https:\/\/vps124721.inmotionhosting.com\/uncategorized\/pietro-consagra\/"},"modified":"2019-07-17T16:22:36","modified_gmt":"2019-07-17T14:22:36","slug":"pietro-consagra","status":"publish","type":"post","link":"https:\/\/galleriafumagalli.com\/en\/exhibited-artists\/pietro-consagra\/","title":{"rendered":"Pietro Consagra"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#ffffff” scene_position=”center” text_color=”dark” text_align=”left” translate_y=”-50″ translate_x=”10″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”]
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MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#ffffff” scene_position=”center” text_color=”dark” text_align=”left” translate_y=”-50″ class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”]

<\/div><\/div>[vc_row_inner column_margin=”default” text_align=”left” css=”.vc_custom_1547640184566{margin-right: 2% !important;}”][vc_column_inner enable_animation=”true” animation=”fade-in-from-bottom” column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”PIETRO CONSAGRA” font_container=”tag:h1|font_size:40|text_align:left” use_theme_fonts=”yes” css_animation=”fadeIn” css=”.vc_custom_1556376308359{margin-bottom: 10px !important;}”][\/vc_column_inner][\/vc_row_inner]
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\"\"<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”3%” bottom_padding=”7%” translate_x=”-61″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+QmlvZ3JhcGh5PC9wPg==[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Born in Mazara del Vallo in 1920 Pietro Consagra passed away in Milan in 2005. He attended the schools in Palermo and moved to Rome in 1944 where kept studying at the Academy of Fine Arts even if retired shortly before graduation, considering the institution excessively conservative. On 15 March, 1947, with Carla Accardi, Ugo Attardi, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato, he signed the manifesto of the \u201cGruppo Forma\u201d, published on the single issue of \u201cForma 1\u201d magazine. Declaring themselves as \u201cformalists and Marxists\u201d, the young artists of \u201cForma 1\u201d wanted to affirm pure form as their aesthetic value and the sole purpose of art. Starting from 1948 his idea of sculpture turned to dematerialization, to bronze little thick compositions that refused a plurality of points of view and conceiving an exclusively frontal fruition. Reached the front the presence of signs broke and began to be articulated in superpositions with voids as parts of the work. In 1964, when Pop Art was presented at the Venice Biennale, Consagra approached color and experimented with painting on nitre and aniline enamel, as a reaction to the new tendencies in art marking a step forward in his work. In the 90s he approached new projects, always consistent with the fundamental elements of his poetics: the frontal point of view applied to diverse kind of works, the dematerialization of sculpture, the relationship between sculpture and architecture.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

In the 90s some of his great sculptures were arranged in the streets of Milan, Rome and in the park of the Palazzo d\u2019Orl\u00e9ans in Palermo. Until the early 2000s, he worked on important exhibition projects. Besides the numerous participations in national and international exhibitions with the \u201cGruppo Forma\u201d, many were the solo exhibitions held in institutions: MART, Rovereto (2018), Italian Institute of Culture, London (2017), Museo di Castelvecchio, Verona (2007, 1977), European Parliament, Strasbourg (2003), Center of Art, Cairo (2001), Museion, Bolzano and Galerie der Stadt, Stuttgart (2000), National Gallery of Modern Art, Rome (2000, 1993, 1989), Palazzo d\u2019Orl\u00e9ans, Palermo (1998 ), Insitut Mathildenh\u00f6he, Darmstadt (1997), Academy of Fine Arts of Brera, Milan (1996), Hermitage, St. Petersburg (1991), Palazzo dell\u2019Arengo, Rimini and Museo d\u2019Arte Grafica, Gibellina (1981), Chiostro di San Nicol\u00f2, Spoleto (1979), Salone Annunciata, Milan (1976), Palazzo dei Normanni, Palermo (1973), Museum Boymans van-Beuningen, Rotterdam (1967), Palais des Beaux-Arts, Brussels (1958). Among the numerous group exhibitions in institutions: Palazzo Strozzi, Florence (2018), Museo del Novecento, Milan (2017), The Solomon R. Guggenheim, New York (2012), National Gallery of Modern Art, Rome (2011), Peggy Guggenheim, Venice (2008), Centre Georges Pompidou, Paris (2007), Mus\u00e9e des Beaux-Arts, Montr\u00e9al (2006), La Triennale, Milan (2004), MAMAC, Liege (2003), MART, Rovereto (2002), Museum of Argenti, Florence (2001), J\u00edzd\u00e1rna Prazsk\u00e9ho Hradu, Prague (1998), Palazzo Ducale, Venice (1995),<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Museo della Permanente, Milan (1994), Institut Mathildenh\u00f6he, Darmstadt (1988), Museo Civico, Gibellina (1986), Museo Nacional de Bellas Artes, Buenos Aires (1971), Mus\u00e9e d\u2019Art Moderne, Paris (1968), The National Museum of Modern Art, Tokyo (1967), Kunsthalle, D\u00fcsseldorf (1961), Mus\u00e9e Rodin, Paris (1960), Museu de Arte Moderna, Sao Paulo (1959), The Museum of Fine Arts, Houston (1958), The Brooklyn Museum, New York (1957), Tate Gallery, London (1953), The Art Institute of Chicago (1952), National Gallery of Modern Art, Rome (1951), Palais des Beaux-Arts, Paris (1948). Consagra also took part several times in the Venice Biennale (1993, 1982, 1972, 1968, 1964, 1962, 1960, 1956, 1954, 1952, 1950), Rome Quadriennale (2005, 1999, 1992, 1986, 1973, 1965, 1955 ), Documenta, Kassel (1964, 1959) and Sao Paulo Biennial (1955). His collaboration with Galleria Fumagalli began in 1996 when, on the occasion of the exhibition hosted at the Brera Academy of Fine Arts in Milan, the gallery promoted the publication of the volume \u201cScultura e architettura\u201d curated by Giovanni Maria Accame and Gabriella di Milia. In 1997 the artist\u2019s first personal exhibition \u201cBanche e Panche\u201d was presented at the gallery, accompanied by the catalog \u201cConsagra e la frontalit\u00e0\u201d; in the same year an anastatic reprint of the theoretical booklet \u201cLa citt\u00e0 frontale\u201d written by Pietro Consagra in 1969 was republished. In 2002 the artist exhibited again at Galleria Fumagalli proposing a series of sculptures made with polychrome marbles and on that occasion was also presented the volume \u201cPietro Consagra. Pietre Consagra\u201d curated by Ada Masoero.<\/p>\n

View curriculum \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Biography[\/vc_column_text]

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Born in Mazara del Vallo in 1920 Pietro Consagra passed away in Milan in 2005. He attended the schools in Palermo and moved to Rome in 1944 where kept studying at the Academy of Fine Arts even if retired shortly before graduation, considering the institution excessively conservative. On 15 March, 1947, with Carla Accardi, Ugo Attardi, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato, he signed the manifesto of the \u201cGruppo Forma\u201d, published on the single issue of \u201cForma 1\u201d magazine. Declaring themselves as \u201cformalists and Marxists\u201d, the young artists of \u201cForma 1\u201d wanted to affirm pure form as their aesthetic value and the sole purpose of art. Starting from 1948 his idea of sculpture turned to dematerialization, to bronze little thick compositions that refused a plurality of points of view and conceiving an exclusively frontal fruition. Reached the front the presence of signs broke and began to be articulated in superpositions with voids as parts of the work. In 1964, when Pop Art was presented at the Venice Biennale, Consagra approached color and experimented with painting on nitre and aniline enamel, as a reaction to the new tendencies in art marking a step forward in his work. In the 90s he approached new projects, always consistent with the fundamental elements of his poetics: the frontal point of view applied to diverse kind of works, the dematerialization of sculpture, the relationship between sculpture and architecture.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

In the 90s some of his great sculptures were arranged in the streets of Milan, Rome and in the park of the Palazzo d\u2019Orl\u00e9ans in Palermo. Until the early 2000s, he worked on important exhibition projects. Besides the numerous participations in national and international exhibitions with the \u201cGruppo Forma\u201d, many were the solo exhibitions held in institutions: MART, Rovereto (2018), Italian Institute of Culture, London (2017), Museo di Castelvecchio, Verona (2007, 1977), European Parliament, Strasbourg (2003), Center of Art, Cairo (2001), Museion, Bolzano and Galerie der Stadt, Stuttgart (2000), National Gallery of Modern Art, Rome (2000, 1993, 1989), Palazzo d\u2019Orl\u00e9ans, Palermo (1998 ), Insitut Mathildenh\u00f6he, Darmstadt (1997), Academy of Fine Arts of Brera, Milan (1996), Hermitage, St. Petersburg (1991), Palazzo dell\u2019Arengo, Rimini and Museo d\u2019Arte Grafica, Gibellina (1981), Chiostro di San Nicol\u00f2, Spoleto (1979), Salone Annunciata, Milan (1976), Palazzo dei Normanni, Palermo (1973), Museum Boymans van-Beuningen, Rotterdam (1967), Palais des Beaux-Arts, Brussels (1958). Among the numerous group exhibitions in institutions: Palazzo Strozzi, Florence (2018), Museo del Novecento, Milan (2017), The Solomon R. Guggenheim, New York (2012), National Gallery of Modern Art, Rome (2011), Peggy Guggenheim, Venice (2008), Centre Georges Pompidou, Paris (2007), Mus\u00e9e des Beaux-Arts, Montr\u00e9al (2006), La Triennale, Milan (2004), MAMAC, Liege (2003), MART, Rovereto (2002), Museum of Argenti, Florence (2001), J\u00edzd\u00e1rna Prazsk\u00e9ho Hradu, Prague (1998), Palazzo Ducale, Venice (1995),<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Museo della Permanente, Milan (1994), Institut Mathildenh\u00f6he, Darmstadt (1988), Museo Civico, Gibellina (1986), Museo Nacional de Bellas Artes, Buenos Aires (1971), Mus\u00e9e d\u2019Art Moderne, Paris (1968), The National Museum of Modern Art, Tokyo (1967), Kunsthalle, D\u00fcsseldorf (1961), Mus\u00e9e Rodin, Paris (1960), Museu de Arte Moderna, Sao Paulo (1959), The Museum of Fine Arts, Houston (1958), The Brooklyn Museum, New York (1957), Tate Gallery, London (1953), The Art Institute of Chicago (1952), National Gallery of Modern Art, Rome (1951), Palais des Beaux-Arts, Paris (1948). Consagra also took part several times in the Venice Biennale (1993, 1982, 1972, 1968, 1964, 1962, 1960, 1956, 1954, 1952, 1950), Rome Quadriennale (2005, 1999, 1992, 1986, 1973, 1965, 1955 ), Documenta, Kassel (1964, 1959) and Sao Paulo Biennial (1955). His collaboration with Galleria Fumagalli began in 1996 when, on the occasion of the exhibition hosted at the Brera Academy of Fine Arts in Milan, the gallery promoted the publication of the volume \u201cScultura e architettura\u201d curated by Giovanni Maria Accame and Gabriella di Milia. In 1997 the artist\u2019s first personal exhibition \u201cBanche e Panche\u201d was presented at the gallery, accompanied by the catalog \u201cConsagra e la frontalit\u00e0\u201d; in the same year an anastatic reprint of the theoretical booklet \u201cLa citt\u00e0 frontale\u201d written by Pietro Consagra in 1969 was republished. In 2002 the artist exhibited again at Galleria Fumagalli proposing a series of sculptures made with polychrome marbles and on that occasion was also presented the volume \u201cPietro Consagra. Pietre Consagra\u201d curated by Ada Masoero.<\/p>\n

View curriculum \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” translate_x=”-61″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+V29ya3M8L3A+[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”4\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_raw_html]W1VSSVNQIGlkPTEwMzMwXQ==[\/vc_raw_html][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

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MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” translate_x=”-61″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+V29ya3M8L3A+[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]SOLO EXHIBITIONS<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]PIETRO CONSAGRA
\nPietre Consagra<\/strong><\/strong><\/p>\n

Opening 6 April 2002
\n9 April to 22 May 2002<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]PIETRO CONSAGRA
\nBanche e panche
\n<\/strong><\/p>\n

May – June 1997<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]GROUP EXHIBITIONS
\n<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]
\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]AAVV:30<\/b><\/p>\n

Opening 27 November 2004
\n30 November 2004 to 20 January 2005<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Exhibitions[\/vc_column_text]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]SOLO EXHIBITIONS<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]
\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]PIETRO CONSAGRA
\nPietre Consagra<\/strong><\/p>\n

Opening 6 April 2002
\n9 April to 22 May 2002<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]PIETRO CONSAGRA
\nBanche e panche
\n<\/strong><\/p>\n

May – June 1997<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]GROUP EXHIBITIONS
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\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]AAVV:30<\/b><\/p>\n

Opening 27 November 2004
\n30 November 2004 to 20 January 2005<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” bg_color=”#ededed” scene_position=”center” text_color=”dark” text_align=”center” translate_y=”65″ overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column centered_text=”true” column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”]

<\/div><\/div>[vc_column_text]\n

JOIN OUR MAILING LIST<\/strong><\/p>\n[\/vc_column_text]

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