{"id":13151,"date":"2017-03-14T17:36:52","date_gmt":"2017-03-14T16:36:52","guid":{"rendered":"https:\/\/vps124721.inmotionhosting.com\/uncategorized\/jannis-kounellis\/"},"modified":"2026-04-14T17:40:25","modified_gmt":"2026-04-14T15:40:25","slug":"jannis-kounellis","status":"publish","type":"post","link":"https:\/\/galleriafumagalli.com\/en\/artists\/jannis-kounellis\/","title":{"rendered":"Jannis Kounellis"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#ffffff” scene_position=”center” text_color=”dark” text_align=”left” translate_y=”-50″ translate_x=”10″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”]
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MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#ffffff” scene_position=”center” text_color=”dark” text_align=”left” translate_y=”-50″ class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”]

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Jannis Kounellis was born in 1936 in Piraeus, Greece, he moved in Rome in 1956, where he lived and worked until his passing in February 2017. During his studies at the Fine Art Academy in Rome, stimulated by the teaching of Toti Scialoja, Kounellis approached the American Abstract Expressionism and the European Informel. In the early works of the Sixties, the artist experimented with painting to present an obscure and fragmentary writing, made of signs and symbols. Even though he did not intend painting in a traditional way, Kounellis had always considered himself as a painter: \u00abI have the attitude of a painter. This is my identity. I could not abandon it, even if I would like to. In Greek the word painter is z\u014dgraphos, which means somebody who draws life. Greek language is much more accurate. It describes a life experience\u00bb. The artist, in fact, used to replace the canvas with an iron sheet, where he juxtaposed everyday objects. Through the use of materials (such as jute, wax, coal, glass, fabrics, coffee powder, etc…) understood to stimulate the senses, human existence is evoked, in its routine and conflict. In the attempt to face this drama, the artist suggests a cathartic solution, almost following the plot of a Greek tragedy, as he cannot ignore the confrontation with existence.
\nFrom the Sixties, Jannis Kounellis started to present his work in the exhibitions organized in the context of Arte Povera, founded by Germano Celant in 1967. In those years even theatre and scenography became essential features of his research.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

His debut took place at the Teatro Stabile in Turin: he realized a scene made of coal bags for the pi\u00e8ce I testimoni by T. R\u00f3zewicz (1968-69), directed by Carlo Quartucci.
\nMany are the international solo exhibitions presented in prestigious institutions, such as: Walker Art Center, Minneapolis (2022); Fondazione Prada, Venice (2019); MKM, Duisburg (2018); MAC-USP, Sao Paulo (2016); MAMC, Saint-\u00c9tienne M\u00e9tropole (2014); Palazzo Belmonte Riso, Palermo (2012); Today Art Museum, Beijing (2011); Ch\u00e2teau de Chaumont-sur-Loire (2008); Mus\u00e9e d\u2019Orsay, Paris (2007); Neue Nationalgalerie, Berlin (2007); Museo Madre, Naples (2006); Albertina, Wien (2005); Vijecnica – National Library, Sarajevo (2004); GNAM, Rome (2002); Centro Pecci, Prato (2001); MNBA, Buenos Aires (2000); Centro de Arte Reina Sof\u00eda, Madrid (1996); Palazzo Fabroni, Pistoia (1993); PAC, Milan (1992); Stedelijk Museum, Amsterdam (1990); Castello di Rivoli, Turin (1988); MAC, Montr\u00e9al (1987); MCA, Chicago (1986); CAPC, Bordeaux (1985); Mus\u00e9e d\u2019Art Moderne de la Ville de Paris (1980); Museum Boijmans Van Beuningen, Rotterdam (1977).\u00a0Among the international exhibitions: Venice Biennale (2015, 2011, 1993, 1988, 1984, 1980, 1978, 1976, 1972); Biennale of Sydney (2008); Istanbul Biennial (1993); documenta, Kassel (1982, 1977, 1972).
\nAmong the most recent group shows in institutions: Jeu de Paume, Paris (2022); Centro Pecci, Prato (2022); Magazzino Italian Art, Cold Spring, New York (2021); Metropolitan Museum of Manila (2020); MAMC, Saint-\u00c9tienne M\u00e9tropole (2019); Philadelphia Museum of Art (2018);<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Stedelijk Museum, Amsterdam (2016); Pinacoteca di Brera, Milan (2015); Guggenheim Museum, Bilbao (2014); Fondazione Prada, Venice (2014); MoMA, New York (2013), MACBA, Barcelona (2010); Museo Madre, Naples (2009); Tel Aviv Museum of Art (2007); Palazzo Grassi, Venice (2006); National Gallery of Modern Art, New Delhi (2005).
\nThe collaboration with Galleria Fumagalli started in 2003 with the first solo show in the Bergamo venue. It was followed in 2005 by the participation in the group exhibition \u201cVisioni\u201d curated by Annamaria Maggi at the Former Sant\u2019Agostino Church in Bergamo. Dates back to 2009 the second solo show, in collaboration with Museo Bernareggi, followed by a volume published by Silvana Editoriale with a text by Franco Fanelli. In 2010 the Gallery actively contributed to the realization of the solo show at Teatro Margherita in Bari, Puglia; on that occasion a sculpture was commissioned for Piazza del Ferrarese. The exhibition was accompanied by a volume published by Silvana Editoriale with texts by Bruno Cor\u00e0, Vito Labarile and Annamaria Maggi. On 28 December 2015 at the Scatola Magica – Piccolo Teatro in Milan, the performance Die Hamletmaschine by Heiner M\u00fcller took place \u2013 directed by Theodoros Terzopoulos, with a scene by Jannis Kounellis and curated by Annamaria Maggi and Alexandra Papadopoulos. The following year, the video of the performance and parts of the scene were exhibited at the Gallery on the occasion of the artist\u2019s third solo show: \u201cJannis Kounellis e il Teatro\u201d. In 2021 Kounellis\u2019 oeuvre was selected by critic L\u00f3r\u00e1nd Hegyi to be included in the fourth and the eighth shows of the program \u201cMY30YEARS \u2013 Coherency in Diversity\u201d.<\/p>\n

View curriculum \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Biography[\/vc_column_text]

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Jannis Kounellis was born in 1936 in Piraeus, Greece, he moved in Rome in 1956, where he lived and worked until his passing in February 2017. During his studies at the Fine Art Academy in Rome, stimulated by the teaching of Toti Scialoja, Kounellis approached the American Abstract Expressionism and the European Informel. In the early works of the Sixties, the artist experimented with painting to present an obscure and fragmentary writing, made of signs and symbols. Even though he did not intend painting in a traditional way, Kounellis had always considered himself as a painter: \u00abI have the attitude of a painter. This is my identity. I could not abandon it, even if I would like to. In Greek the word painter is z\u014dgraphos, which means somebody who draws life. Greek language is much more accurate. It describes a life experience\u00bb. The artist, in fact, used to replace the canvas with an iron sheet, where he juxtaposed everyday objects. Through the use of materials (such as jute, wax, coal, glass, fabrics, coffee powder, etc…) understood to stimulate the senses, human existence is evoked, in its routine and conflict. In the attempt to face this drama, the artist suggests a cathartic solution, almost following the plot of a Greek tragedy, as he cannot ignore the confrontation with existence.
\nFrom the Sixties, Jannis Kounellis started to present his work in the exhibitions organized in the context of Arte Povera, founded by Germano Celant in 1967. In those years even theatre and scenography became essential features of his research. His debut took place at the Teatro Stabile in Turin: he realized a scene made of coal bags for the pi\u00e8ce I testimoni by T. R\u00f3zewicz (1968-69), directed by Carlo Quartucci.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Many are the international solo exhibitions presented in prestigious institutions, such as: Walker Art Center, Minneapolis (2022); Fondazione Prada, Venice (2019); MKM, Duisburg (2018); MAC-USP, Sao Paulo (2016); MAMC, Saint-\u00c9tienne M\u00e9tropole (2014); Palazzo Belmonte Riso, Palermo (2012); Today Art Museum, Beijing (2011); Ch\u00e2teau de Chaumont-sur-Loire (2008); Mus\u00e9e d\u2019Orsay, Paris (2007); Neue Nationalgalerie, Berlin (2007); Museo Madre, Naples (2006); Albertina, Wien (2005); Vijecnica – National Library, Sarajevo (2004); GNAM, Rome (2002); Centro Pecci, Prato (2001); MNBA, Buenos Aires (2000); Centro de Arte Reina Sof\u00eda, Madrid (1996); Palazzo Fabroni, Pistoia (1993); PAC, Milan (1992); Stedelijk Museum, Amsterdam (1990); Castello di Rivoli, Turin (1988); MAC, Montr\u00e9al (1987); MCA, Chicago (1986); CAPC, Bordeaux (1985); Mus\u00e9e d\u2019Art Moderne de la Ville de Paris (1980); Museum Boijmans Van Beuningen, Rotterdam (1977).\u00a0Among the international exhibitions: Venice Biennale (2015, 2011, 1993, 1988, 1984, 1980, 1978, 1976, 1972); Biennale of Sydney (2008); Istanbul Biennial (1993); documenta, Kassel (1982, 1977, 1972).<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Among the most recent group shows in institutions: Jeu de Paume, Paris (2022); Centro Pecci, Prato (2022); Magazzino Italian Art, Cold Spring, New York (2021); Metropolitan Museum of Manila (2020); MAMC, Saint-\u00c9tienne M\u00e9tropole (2019); Philadelphia Museum of Art (2018); Stedelijk Museum, Amsterdam (2016); Pinacoteca di Brera, Milan (2015); Guggenheim Museum, Bilbao (2014); Fondazione Prada, Venice (2014); MoMA, New York (2013), MACBA, Barcelona (2010); Museo Madre, Naples (2009); Tel Aviv Museum of Art (2007); Palazzo Grassi, Venice (2006); National Gallery of Modern Art, New Delhi (2005).
\nThe collaboration with Galleria Fumagalli started in 2003 with the first solo show in the Bergamo venue. It was followed in 2005 by the participation in the group exhibition \u201cVisioni\u201d curated by Annamaria Maggi at the Former Sant\u2019Agostino Church in Bergamo. Dates back to 2009 the second solo show, in collaboration with Museo Bernareggi, followed by a volume published by Silvana Editoriale with a text by Franco Fanelli. In 2010 the Gallery actively contributed to the realization of the solo show at Teatro Margherita in Bari, Puglia; on that occasion a sculpture was commissioned for Piazza del Ferrarese. The exhibition was accompanied by a volume published by Silvana Editoriale with texts by Bruno Cor\u00e0, Vito Labarile and Annamaria Maggi. On 28 December 2015 at the Scatola Magica – Piccolo Teatro in Milan, the performance Die Hamletmaschine by Heiner M\u00fcller took place \u2013 directed by Theodoros Terzopoulos, with a scene by Jannis Kounellis and curated by Annamaria Maggi and Alexandra Papadopoulos. The following year, the video of the performance and parts of the scene were exhibited at the Gallery on the occasion of the artist\u2019s third solo show: \u201cJannis Kounellis e il Teatro\u201d. In 2021 Kounellis\u2019 oeuvre was selected by critic L\u00f3r\u00e1nd Hegyi to be included in the fourth and the eighth shows of the program \u201cMY30YEARS \u2013 Coherency in Diversity\u201d.<\/p>\n

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MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Works[\/vc_column_text]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”5%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_raw_html]W1VSSVMgaWQ9MTAwMzld[\/vc_raw_html]
<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” translate_x=”-61″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+UHJlc3M8L3A+[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]artnews.com
\n<\/strong><\/p>\n

3 November, 2018
\n“Ashes and Gold in First Substantial Jannis Kounellis Show Since Artist’s Death”<\/p>\n

Read article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Artforum
\n<\/strong><\/p>\n

November, 2016
\n“Jannis Kounellis”<\/p>\n

Read article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]apollo-magazine.com<\/strong><\/p>\n

8 April, 2016
\n“Everything needs to be centred on humanity”<\/p>\n

Read article \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]artnews.com<\/strong><\/p>\n

25 June, 2015
\n“Kounellis horses have first U.S. showing…”<\/p>\n

Read article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Flash Art<\/strong><\/p>\n

May 2012
\n“Rivoluzioni rotazioni”<\/p>\n

Read article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]artpulsemagazine.com<\/strong><\/p>\n

February 2012
\n“Jannis Kounellis: Non-Verbal Communication”<\/p>\n

Read article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Press[\/vc_column_text]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]artnews.com
\n<\/strong><\/p>\n

3 November, 2018
\n“Ashes and Gold in First Substantial Jannis Kounellis Show Since Artist’s Death”<\/p>\n

Read article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Artforum
\n<\/strong><\/p>\n

November, 2016
\n“Jannis Kounellis”<\/p>\n

Read article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]apollo-magazine.com<\/strong><\/p>\n

8 April, 2016
\n“Everything needs to be centred on humanity”<\/p>\n

Read article \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]artnews.com<\/strong><\/p>\n

25 June, 2015
\n“Kounellis horses have first U.S. showing…”<\/p>\n

Read article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Flash Art<\/strong><\/p>\n

May 2012
\n“Rivoluzioni rotazioni”<\/p>\n

Read article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]artpulsemagazine.com<\/strong><\/p>\n

February 2012
\n“Jannis Kounellis: Non-Verbal Communication”<\/p>\n

Read article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” translate_x=”-61″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+RXhoaWJpdGlvbnM8L3A+[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]SOLO EXHIBITIONS<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]HOMAGE TO JANNIS KOUNELLIS<\/strong><\/p>\n

14 to 22 December, 2022<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]JANNIS KOUNELLIS<\/strong>
\nJannis Kounellis e il Teatro<\/strong><\/p>\n

Opening 12 October, 2016
\n13 October to 20 December, 2016<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]JANNIS KOUNELLIS
\nJannis Kounellis a Bergamo<\/strong><\/p>\n

Opening 23 May, 2009
\n26 May to 26 September, 2009<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]JANNIS KOUNELLIS<\/strong>
\nOpere recenti\u00a0<\/strong><\/p>\n

Opening 25 October, 2003
\n28 October to 6 December, 2003<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]GROUP EXHIBITIONS
\n<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]
\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]Concretezza dell’essenzialit\u00e0<\/b><\/p>\n

Opening 16 February, 2022
\n17 February to 29 April, 2022<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]Switch On 3<\/b><\/p>\n

Opening 23 February, 2017
\n24 February to 1 April, 2017<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]Summer Show<\/b><\/p>\n

Opening 15 June, 2013
\n18 June to 15 September, 2013<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]Switch On<\/b><\/p>\n

Opening 4 October, 2012
\n5 October to 15 November, 2012<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]Visioni. 20 artisti a Sant’Agostino<\/b><\/p>\n

Opening 8 April, 2005
\n9 April to 11 June, 2005<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]AAVV:30\u00a0<\/b><\/p>\n

Opening 27 November, 2004
\n30 November, 2004 to 30 January, 2005<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Exhibitions[\/vc_column_text]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]SOLO EXHIBITIONS<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]
\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]HOMAGE TO JANNIS KOUNELLIS<\/strong><\/p>\n

14 to 22 December, 2022<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]JANNIS KOUNELLIS<\/strong>
\nJannis Kounellis e il Teatro<\/strong><\/p>\n

Opening 12 October, 2016
\n13 October to 20 December, 2016<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]JANNIS KOUNELLIS
\nJannis Kounellis a Bergamo<\/strong><\/p>\n

Opening 23 May, 2009
\n26 May to 26 September, 2009<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]JANNIS KOUNELLIS<\/strong>
\nOpere recenti\u00a0<\/strong><\/p>\n

Opening 25 October, 2003
\n28 October to 6 December, 2003<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]GROUP EXHIBITIONS
\n<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]
\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]Concretezza dell’essenzialit\u00e0<\/b><\/p>\n

Opening 16 February, 2022
\n17 February to 29 April, 2022<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]Switch On 3<\/b><\/p>\n

Opening 23 February, 2017
\n24 February to 1 April, 2017<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]Summer Show<\/b><\/p>\n

Opening 15 June, 2013
\n18 June to 15 September, 2013<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]Switch On<\/b><\/p>\n

Opening 4 October, 2012
\n5 October to 15 November, 2012<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]Visioni. 20 artisti a Sant’Agostino<\/b><\/p>\n

Opening 8 April, 2005
\n9 April to 11 June, 2005<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]AAVV:30\u00a0<\/b><\/p>\n

Opening 27 November, 2004
\n30 November, 2004 to 30 January, 2005<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” translate_x=”-61″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+SW5zdGl0dXRpb25zPC9wPg==[\/vc_raw_html][\/vc_column][vc_column column_padding=”padding-1-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner equal_height=”yes” column_margin=”default” bottom_padding=”3%” text_align=”left”][vc_column_inner column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]\n

\n \"\"\/\n \n
\n
\n
\n

Jannis Kounellis<\/span><\/h2>\n <\/div>\n\n
\n

Omaggio a Heiner Mu\u0308ller \u2013 Hamlet (2015)
\ndrawn from \u201cDie Hamletmaschine\u201d by Heiner Mu\u0308ller
\nelectronic music by Panagiotis Veliantis, directed by Theodoros Terzopoulos
\nPiccolo Teatro Stehler, Milan
\nPh Lucrezia Roda<\/p>\n <\/div>\n\n <\/div>\n <\/figcaption>\n <\/figure>\n<\/a>\n