{"id":13192,"date":"2019-06-27T18:57:45","date_gmt":"2019-06-27T16:57:45","guid":{"rendered":"https:\/\/vps124721.inmotionhosting.com\/uncategorized\/maurizio-nannucci\/"},"modified":"2023-03-02T18:56:26","modified_gmt":"2023-03-02T17:56:26","slug":"maurizio-nannucci","status":"publish","type":"post","link":"https:\/\/galleriafumagalli.com\/en\/artists\/maurizio-nannucci\/","title":{"rendered":"Maurizio Nannucci"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#ffffff” scene_position=”center” text_color=”dark” text_align=”left” translate_y=”-50″ translate_x=”10″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”]
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MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#ffffff” scene_position=”center” text_color=”dark” text_align=”left” translate_y=”-50″ class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”]

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\"\"<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”3%” bottom_padding=”7%” translate_x=”-61″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+QmlvZ3JhcGh5PC9wPg==[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Maurizio Nannucci, born in Florence in 1939, lives and works between his hometown and South Baden, Germany. Since the early 1960s he has been exploring the conceptual and perceptive aspects of language starting from the single letter, enhancing its typographic and minimal dimension. He also tackles the theme of color by combining it with language, later introducing neon. The first neon writings date back to 1967: they bring new ranges of meaning in relation to the space in which they are placed: the work becomes the result of a fluid amalgam of colour, light, sign and meaning, generating an all-encompassing involvement of the viewer and stimulating new possibilities of perception (sensual and conceptual) and interaction with the spatial context. As result of an interdisciplinary approach, Maurizio Nannucci’s research aims at the diffusion and circulation of art through an active and continuous dialogue between visual art, poetry and architecture.
\nHe is the founder of the self-managed spaces Zona (Florence, 1974-1985) and Base\/Progetti per l\u2019arte (Florence, since 1998), as well as author and collector of records, books and artist\u2019s editions. In the early 1990s he began collaborating with internationally renowned architects such as Fritz Auer, Renzo Piano, Massimiliano Fuksas, Mario Botta, Nicolas Grimshaw and Stephan Braunfels.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

He created many installations for public institutions and places: Carpenter Center, Harvard University, Cambridge; Auditorium Parco della Musica, Rome; Bibliothek des Deutschen Bundestages and Altes Museum, Berlin; Kunsthalle, Wien; Lenbachhaus M\u00fcnchen; Villa Arson, Nice; Peggy Guggenheim Foundation, Venice; MAMCO, Gen\u00e8ve; GAM, Turin; Hubbr\u00fccke, Magdeburg; Uffizi Gallery, Florence; Museum of Fine Arts, Boston; MAXXI, Rome; Pilotta complex, Parma; ArtLine Milano\u00a0\u2013\u00a0Contemporary Art Park, Milan.
\nAmong the most recent solo exhibitions: FLAT, Nuvola Lavazza, Turin (2019); MAMCO, Gen\u00e8ve (2017); MAXXI, Rome (2015); Museion, Bolzano (2015); MAMC, Saint-\u00c9tienne (2012); Uffizi Gallery, Florence (2010); Triennale di Milano (2006); Altes Museum, Berlin (2005). His works have been exhibited in more than 300 museums and galleries and are part of collections such as: Fondazione Peggy Guggenheim, Venice; St\u00e4dtische Galerie im Lenbachhaus, M\u00fcnchen; Staatliche Museen, Berlin; Kunstsammlung des Deutschen Bundestages, Berlin; Museum of Fine Arts, Boston; The Parkview Museum, Singapore; Centre National des Arts Plastiques, Paris & Metz; MAXXI, Rome.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Over the years Maurizio Nannucci has been invited to take part in: Venice Biennale (2011, 2000, 1995, 1990, 1978, 1969), Valencia Biennial (2003), Istanbul Biennial (1995), Biennial of Sydney (1990, 1982), Documenta, Kassel (1987, 1977) and Bienal de S\u00e3o Paulo (1981).
\nHis collaboration with Galleria Fumagalli began in 2005 with his solo exhibition “Neon Words”. In the same year he was invited to participate in “Visioni” at the former church of Sant’Agostino in Bergamo. In 2011 he exhibited in the group show he conceived himself, dedicated to four Italian conceptual masters: \u201cACMN. Giovanni Anselmo, Enrico Castellani, Maurizio Mochetti, Maurizio Nannucci\u201d, whose book was published in 2018. His second solo, \u201cWhat to see what not to see\u201d, dates back to 2017, presented in the new venue in Milan. In 2021 Nannucci’s works were selected by critic L\u00f3r\u00e1nd Hegyi to be included in the second and seventh exhibitions of the program “MY30YEARS – Coherency in Diversity”, which celebrates Annamaria Maggi’s 30-year career at the helm of the Gallery.<\/p>\n

Visualizza curriculum \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Biography[\/vc_column_text]

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Maurizio Nannucci, born in Florence in 1939, lives and works between his hometown and South Baden, Germany. Since the early 1960s he has been exploring the conceptual and perceptive aspects of language starting from the single letter, enhancing its typographic and minimal dimension. He also tackles the theme of color by combining it with language, later introducing neon. The first neon writings date back to 1967: they bring new ranges of meaning in relation to the space in which they are placed: the work becomes the result of a fluid amalgam of colour, light, sign and meaning, generating an all-encompassing involvement of the viewer and stimulating new possibilities of perception (sensual and conceptual) and interaction with the spatial context. As result of an interdisciplinary approach, Maurizio Nannucci’s research aims at the diffusion and circulation of art through an active and continuous dialogue between visual art, poetry and architecture.
\nHe is the founder of the self-managed spaces Zona (Florence, 1974-1985) and Base\/Progetti per l\u2019arte (Florence, since 1998), as well as author and collector of records, books and artist\u2019s editions. In the early 1990s he began collaborating with internationally renowned architects such as Fritz Auer, Renzo Piano, Massimiliano Fuksas, Mario Botta, Nicolas Grimshaw and Stephan Braunfels. He created many installations for public institutions and places: Carpenter Center, Harvard University, Cambridge; Auditorium Parco della Musica, Rome; Bibliothek des Deutschen Bundestages and Altes Museum, Berlin; Kunsthalle, Wien; Lenbachhaus M\u00fcnchen; Villa Arson, Nice; Peggy Guggenheim Foundation, Venice; MAMCO, Gen\u00e8ve; GAM, Turin; Hubbr\u00fccke, Magdeburg; Uffizi Gallery, Florence; Museum of Fine Arts, Boston; MAXXI, Rome; Pilotta complex, Parma; ArtLine Milano\u00a0\u2013\u00a0Contemporary Art Park, Milan.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Among the most recent solo exhibitions: FLAT, Nuvola Lavazza, Turin (2019); MAMCO, Gen\u00e8ve (2017); MAXXI, Rome (2015); Museion, Bolzano (2015); MAMC, Saint-\u00c9tienne (2012); Uffizi Gallery, Florence (2010); Triennale di Milano (2006); Altes Museum, Berlin (2005). His works have been exhibited in more than 300 museums and galleries and are part of collections such as: Fondazione Peggy Guggenheim, Venice; St\u00e4dtische Galerie im Lenbachhaus, M\u00fcnchen; Staatliche Museen, Berlin; Kunstsammlung des Deutschen Bundestages, Berlin; Museum of Fine Arts, Boston; The Parkview Museum, Singapore; Centre National des Arts Plastiques, Paris & Metz; MAXXI, Rome. Over the years Maurizio Nannucci has been invited to take part in: Venice Biennale (2011, 2000, 1995, 1990, 1978, 1969), Valencia Biennial (2003), Istanbul Biennial (1995), Biennial of Sydney (1990, 1982), Documenta, Kassel (1987, 1977) and Bienal de S\u00e3o Paulo (1981).<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

His collaboration with Galleria Fumagalli began in 2005 with his solo exhibition “Neon Words”. In the same year he was invited to participate in “Visioni” at the former church of Sant’Agostino in Bergamo. In 2011 he exhibited in the group show he conceived himself, dedicated to four Italian conceptual masters: \u201cACMN. Giovanni Anselmo, Enrico Castellani, Maurizio Mochetti, Maurizio Nannucci\u201d, whose book was published in 2018. His second solo, \u201cWhat to see what not to see\u201d, dates back to 2017, presented in the new venue in Milan. In 2021 Nannucci’s works were selected by critic L\u00f3r\u00e1nd Hegyi to be included in the second and seventh exhibitions of the program “MY30YEARS – Coherency in Diversity”, which celebrates Annamaria Maggi’s 30-year career at the helm of the Gallery.<\/p>\n

Visualizza curriculum \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” translate_x=”-61″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+V29ya3M8L3A+[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”4\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_raw_html]W1VSSVMgaWQ9NzQ0MF0=[\/vc_raw_html][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Works[\/vc_column_text]

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\n<\/strong><\/p>\n

2 September, 2018
\n“Maurizio Nannucci”<\/p>\n

Read article\u00a0 \u2192<\/a><\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]LUCE<\/strong><\/p>\n

September 2017
\n“I luoghi del pensiero di Maurizio Nannucci”<\/p>\n

Read article\u00a0 \u2192<\/a><\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]DOMUS<\/strong><\/p>\n

July\/August 2016
\n“All art has been contemporary”<\/p>\n

Read article\u00a0 \u2192<\/a><\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]DOMUS<\/strong><\/p>\n

June\/July 2015
\n“And what about the truth”<\/p>\n

Read article\u00a0 \u2192<\/a><\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Press[\/vc_column_text]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]la Repubblica
\n<\/strong><\/p>\n

2 September, 2018
\n“Maurizio Nannucci”<\/p>\n

Read article\u00a0 \u2192<\/a><\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]LUCE<\/strong><\/p>\n

September 2017
\n“I luoghi del pensiero di Maurizio Nannucci”<\/p>\n

Read article\u00a0 \u2192<\/a><\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]DOMUS<\/strong><\/p>\n

July\/August 2016
\n“All art has been contemporary”<\/p>\n

Read article\u00a0 \u2192<\/a><\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]DOMUS<\/strong><\/p>\n

June\/July 2015
\n“And what about the truth”<\/p>\n

Read article\u00a0 \u2192<\/a><\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” translate_x=”-61″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+RXhoaWJpdGlvbnM8L3A+[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]SOLO EXHIBITIONS<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]MAURIZIO NANNUCCI<\/strong>
\nWhat to see what not to see<\/strong><\/p>\n

Opening 3 May, 2017
\n4 May to 22 July, 2017<\/p>\n

Exhibition\u00a0 \u2192<\/a><\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]MAURIZIO NANNUCCI
\nNeon Words<\/strong><\/p>\n

Opening 26 February, 2005
\n1 March to 20 April, 2005<\/p>\n

Exhibition\u00a0 \u2192<\/a><\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]GROUP EXHIBITIONS
\n<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]
\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]Sistema \u2013 Dematerializzazione \u2013 Testo<\/b><\/p>\n

Opening 7 September, 2021
\n8 September to 5 November, 2021<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]ACMN – Anselmo, Castellani, <\/strong>Mochetti, Nannucci<\/strong><\/p>\n

Opening 28 May, 2011
\n31 May to 8 October, 2011<\/p>\n

Exhibition\u00a0 \u2192<\/a><\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]Visioni. 20 artisti a Sant’Agostino<\/b><\/p>\n

Opening 8 April, 2005
\n9 April to 11 June, 2005<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]AAVV: 30<\/strong><\/p>\n

Opening 27 November, 2004
\n30 November, 2004 to 30 January, 2005<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Exhibitions[\/vc_column_text]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]SOLO EXHIBITIONS<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]
\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]MAURIZIO NANNUCCI<\/strong>
\nWhat to see what not to see<\/strong><\/p>\n

Opening 3 May, 2017
\n4 May to 22 July, 2017<\/p>\n

Exhibition\u00a0 \u2192<\/a><\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]MAURIZIO NANNUCCI
\nNeon Words<\/strong><\/p>\n

Opening 26 February, 2005
\n1 March to 20 April, 2005<\/p>\n

Exhibition\u00a0 \u2192<\/a><\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]GROUP EXHIBITIONS
\n<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]
\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]Sistema \u2013 Dematerializzazione \u2013 Testo<\/b><\/p>\n

Opening 7 September, 2021
\n8 September to 5 November, 2021<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]ACMN – Anselmo, Castellani, <\/strong>Mochetti, Nannucci<\/strong><\/p>\n

Opening 28 May, 2011
\n31 May to 8 October, 2011<\/p>\n

Exhibition\u00a0 \u2192<\/a><\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]Visioni. 20 artisti a Sant’Agostino<\/b><\/p>\n

Opening 8 April, 2005
\n9 April to 11 June, 2005<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

\"\"<\/div><\/div>
<\/div><\/div>[vc_column_text]AAVV: 30<\/strong><\/p>\n

Opening 27 November, 2004
\n30 November, 2004 to 30 January, 2005<\/p>\n

Exhibition\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” translate_x=”-61″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+SW5zdGl0dXRpb25zPC9wPg==[\/vc_raw_html][\/vc_column][vc_column column_padding=”padding-1-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner equal_height=”yes” column_margin=”default” bottom_padding=”3%” text_align=”left”][vc_column_inner column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]\n

\n \"\"\/\n \n
\n
\n
\n

Maurizio Nannucci<\/span><\/h2>\n <\/div>\n\n
\n

New Times for Other Ideas \/ New Ideas for Other Times, CityLife art park, Milan, 2020. Project by ArtLine Milano<\/p>\n <\/div>\n\n <\/div>\n <\/figcaption>\n <\/figure>\n<\/a>\n