{"id":13361,"date":"2018-01-16T15:51:44","date_gmt":"2018-01-16T14:51:44","guid":{"rendered":"https:\/\/vps124721.inmotionhosting.com\/uncategorized\/giulio-paolini-teoria-delle-apparenze\/"},"modified":"2019-07-18T12:09:57","modified_gmt":"2019-07-18T10:09:57","slug":"giulio-paolini-teoria-delle-apparenze","status":"publish","type":"post","link":"https:\/\/galleriafumagalli.com\/en\/exhibitions\/giulio-paolini-teoria-delle-apparenze\/","title":{"rendered":"GIULIO PAOLINI – TEORIA DELLE APPARENZE"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#ffffff” scene_position=”center” text_color=”dark” text_align=”left” translate_y=”-50″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”]
<\/div><\/div>[vc_row_inner column_margin=”default” text_align=”left” css=”.vc_custom_1560874443607{margin-right: 2% !important;margin-left: 15px !important;}”][vc_column_inner enable_animation=”true” animation=”fade-in-from-bottom” column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”GIULIO PAOLINI” font_container=”tag:h1|font_size:40|text_align:left” use_theme_fonts=”yes” css_animation=”fadeIn” css=”.vc_custom_1551806350131{margin-bottom: 10px !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left” css=”.vc_custom_1560874452888{margin-left: 20px !important;}”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]
<\/div><\/div>
<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left” css=”.vc_custom_1560874462095{margin-left: 18px !important;}”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”TEORIA DELLE APPARENZE
\n16 January to 14 April 2018″ font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”]
<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ background_image=”8946″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#ffffff” scene_position=”center” text_color=”dark” text_align=”left” translate_x=”-10″ class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”]
<\/div><\/div>[vc_row_inner column_margin=”default” text_align=”left” css=”.vc_custom_1547640184566{margin-right: 2% !important;}”][vc_column_inner enable_animation=”true” animation=”fade-in-from-bottom” column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”GIULIO PAOLINI” font_container=”tag:h1|font_size:40|text_align:left” use_theme_fonts=”yes” css_animation=”fadeIn” css=”.vc_custom_1551806388680{margin-bottom: 10px !important;}”][\/vc_column_inner][\/vc_row_inner]
<\/div><\/div>
<\/div><\/div>[vc_custom_heading text=”TEORIA DELLE APPARENZE
\n16 January to 14 April 2018″ font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”]
<\/div><\/div>[\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”foto-mostre-mobile” width=”2\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”]
\"\"<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”3%” bottom_padding=”7%” translate_x=”-69″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+VGV4dDwvcD4=[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Galleria Fumagalli presents the exhibition \u201cGiulio Paolini. Teoria delle apparenze\u201d, a selection of works from 1969 to 2015. Embracing the whole production of the artist, issued from a conceptual area of research, the exhibition gives an overview of Giulio Paolini\u2019s work: from the perspective paintings of the \u201870s, to the theatrical and literary dimension of the \u201880s, until the recent studies on the author identity and his condition as a spectator.
\nThe founding moment of Giulio Paolini\u2019s artistic research dates back to \u201cDisegno geometrico\u201d from 1960, a small canvas (40×60 cm) on which the artist traced the squaring of the surface. From this moment on, Giulio Paolini identifies as his field of interest the fundaments of vision and the methods of the artistic work. Thereafter, he develops a decoding process free from image processing and close to sign, geometric vision and mathematics. The selected works displayed in the exhibition \u201cGiulio Paolini. Teoria delle apparenze\u201d follow the artist\u2019s path starting from 1969 with the work \u201cQuam raptim ad sublimia\u201d, a cotton standard with the Latin inscription \u201cto the sublime as soon as possible\u201d. The phrase, taken by the artist from a brass engraving in the marble floor of the Vatican Museum, evokes the ineffable nature of words. As for language as for painting, the artist explores with a retrospective attitude the mechanisms and the constitutive elements of showing: from literary quotations to self-reference, he proposes a historicization of his own work. Deceptive perspectival lines and images, in works such as \u201cTeoria delle apparenze\u201d\u00a0(1972) and \u201cEquivalenza\u201d (1975), are virtual propositions of space and allude to the idea of the painting as a potential repository for all past and future works. Since the mid-70s, themes such as repetition and circularity of references are present in the work of Giulio Paolini. Thanks also to the use of plaster casts of statues or classical architectural details, the artist reflects on tradition as only perceivable in fragments.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Representative in this sense are \u201cL\u2019arte e lo spazio, quattro illustrazioni per uno scritto di Martin Heidegger\u201d (1983), a reference to the \u201cfour observations\u201d of the German philosopher paradigm of the aesthetic discourse in those years, and \u201cGrandezza Naturale\u201d (1986\/87), which questions the meaning and the paradox of the notion of \u201cnatural\u201d. The photographic collage \u201cCom\u00e9die Italienne\u201d (1984) is a documentation of the scenic fragment created by the artist with Carlo Quartucci in 1983 at the Ninfeo del Bramante, inspired by the famous painting by Jean-Antoine Watteau \u201dEmbarquement pour Cyht\u00e8re\u201d. The work evokes the myth of the eternal journey of Italian comedians and refers to another characteristic aspect of Giulio Paolini\u2019s oeuvre: the theatricalization of the work. Also \u201cL\u2019Indifferent\u201d (1992) is a reference to the Watteau painting of 1717, reproduced in a color photograph (missing some parts cut out by the artist) and framed on a wooden easel. The visual perception is challenged and actively involves the viewer in the definition of the work. Emblematic is \u201cTerra di nessuno\u201d (2013\/2014), an easel with a canvas and four fragments of a perspective drawing in a showcase evoking a painting yet not reveling it. Also on show \u201cStudio per Da lontano\u201d (2015), a preparatory drawing of Giulio Paolini\u2019s intervention for the Baroque temple of Museo Cappella Sansevero in Naples, and \u201cStudio per Villa dei misteri\u201d (2013), a composition of images in perspective whose title is inspired by the Pompeian domus. With the exhibition \u201cGiulio Paolini. Teoria delle apparenze\u201d, Galleria Fumagalli pays homage to one of the most representative artists of the Italian avant-garde. Through installation, drawing, collage, plaster cast and photography, from the ’60s till today, Giulio Paolini explores the tautological and metaphysical nature of the artistic practice questioning its method structures and regenerating the work in always new perspectives. “My way of operating is in relationship, a continuous relay, between the previous and upcoming artwork. Every painting is ultimately the replica of the previous one (I would say that it comes to life as a replica of the previous one)”. (Giulio Paolini in “Dipingere la pittura”, interview by Nico Orengo in “Fuoricampo”, Turin 1973).<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Giulio Paolini was born in Genoa in 1940, he lives and works in Turin. From the beginning in the early 60s his analytical research affirms the work of art as a pure attestation of itself and as a specific linguistic tool of the artistic field. Starting from the exposition of the material codes of the painting system (such as the white canvas, the sheet, the frame, etc.) Giulio Paolini’s interest is turned to representation as a category of expressivity, moving an investigation on art starting from its history and as a sedimentation of a knowledge to be questioned always. Over the years his work has been shown in eminent international public institutions, among the latest solo shows: Center for Italian Modern Art, New York and Museo Poldi Pezzoli, Milan (2016), Macro, Rome (2013), Palazzo delle Esposizioni, Rome (2010), Kunstmuseum, Winterthur and Westf\u00e4lisches Landesmuseum, M\u00fcnster (2005), Mart, Rovereto (2004), Fondazione Prada, Milan (2003), CEAAC, Strasbourg and GAM, Turin (2001), Museo d\u2019Arte Contemporanea Castello di Rivoli, Turin (1999, 1991, 1986), Mamco, Geneve (1999), Neue Galerie, Graz (1998), Palazzo della Ragione, Padua (1995), Kunstmuseum, Winterthur (1993), K\u00f6lnischer Kunstverein, Koln and Museo di Capodimonte, Naples (1988), Mus\u00e9e d\u2019art contemporain, Montr\u00e9al (1985), PAC, Milan and Neuer Berliner Kunstverein, Berlin (1982), Galleria Nazionale d\u2019Arte Moderna, Rome (1981), Stedelijk Museum, Amsterdam and Museum of Modern Art, Oxford (1980), Mus\u00e9e d\u2019Art Moderne de la Ville de Paris (1978), Museum of Modern Art, New York (1974). His works are permanently displayed in public and private institutions all over the world such as Museo d\u2019Arte Contemporanea Castello di Rivoli, Turin; Centro per l\u2019arte contemporanea Luigi Pecci, Prato; FRAC Bourgogne, Dijon; Galleria nazionale d\u2019arte moderna and contemporanea, Rome; Mart, Rovereto; MAXXI, Rome; Mus\u00e9e d\u2019art contemporain, Montr\u00e9al; Mus\u00e9e d\u2019Art Moderne, Brussels; Mus\u00e9e des Beaux-Arts, Nantes; Museo del Novecento, Milan; Museum Boijmans Van Beuningen, Rotterdam; Museum Moderner Kunst Stiftung Ludwig, Vienna; National Gallery of Art, Washington D.C.; Nationalgalerie, Berlin; Museum of Modern Art, San Francisco; Solomon R. Guggenheim Museum, New York; Stedelijk Museum, Amsterdam; Tate, London; The Art Institute, Chicago; Walker Art Center, Minneapolis.<\/p>\n[\/vc_column_text]

<\/div><\/div>[vc_column_text]View press release \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”8%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Text[\/vc_column_text]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”3%” bottom_padding=”7%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Galleria Fumagalli presents the exhibition \u201cGiulio Paolini. Teoria delle apparenze\u201d, a selection of works from 1969 to 2015. Embracing the whole production of the artist, issued from a conceptual area of research, the exhibition gives an overview of Giulio Paolini\u2019s work: from the perspective paintings of the \u201870s, to the theatrical and literary dimension of the \u201880s, until the recent studies on the author identity and his condition as a spectator.
\nThe founding moment of Giulio Paolini\u2019s artistic research dates back to \u201cDisegno geometrico\u201d from 1960, a small canvas (40×60 cm) on which the artist traced the squaring of the surface. From this moment on, Giulio Paolini identifies as his field of interest the fundaments of vision and the methods of the artistic work. Thereafter, he develops a decoding process free from image processing and close to sign, geometric vision and mathematics. The selected works displayed in the exhibition \u201cGiulio Paolini. Teoria delle apparenze\u201d follow the artist\u2019s path starting from 1969 with the work \u201cQuam raptim ad sublimia\u201d, a cotton standard with the Latin inscription \u201cto the sublime as soon as possible\u201d. The phrase, taken by the artist from a brass engraving in the marble floor of the Vatican Museum, evokes the ineffable nature of words. As for language as for painting, the artist explores with a retrospective attitude the mechanisms and the constitutive elements of showing: from literary quotations to self-reference, he proposes a historicization of his own work. Deceptive perspectival lines and images, in works such as \u201cTeoria delle apparenze\u201d\u00a0(1972) and \u201cEquivalenza\u201d (1975), are virtual propositions of space and allude to the idea of the painting as a potential repository for all past and future works. Since the mid-70s, themes such as repetition and circularity of references are present in the work of Giulio Paolini. Thanks also to the use of plaster casts of statues or classical architectural details, the artist reflects on tradition as only perceivable in fragments.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Representative in this sense are \u201cL\u2019arte e lo spazio, quattro illustrazioni per uno scritto di Martin Heidegger\u201d (1983), a reference to the \u201cfour observations\u201d of the German philosopher paradigm of the aesthetic discourse in those years, and \u201cGrandezza Naturale\u201d (1986\/87), which questions the meaning and the paradox of the notion of \u201cnatural\u201d. The photographic collage \u201cCom\u00e9die Italienne\u201d (1984) is a documentation of the scenic fragment created by the artist with Carlo Quartucci in 1983 at the Ninfeo del Bramante, inspired by the famous painting by Jean-Antoine Watteau \u201dEmbarquement pour Cyht\u00e8re\u201d. The work evokes the myth of the eternal journey of Italian comedians and refers to another characteristic aspect of Giulio Paolini\u2019s oeuvre: the theatricalization of the work. Also \u201cL\u2019Indifferent\u201d (1992) is a reference to the Watteau painting of 1717, reproduced in a color photograph (missing some parts cut out by the artist) and framed on a wooden easel. The visual perception is challenged and actively involves the viewer in the definition of the work. Emblematic is \u201cTerra di nessuno\u201d (2013\/2014), an easel with a canvas and four fragments of a perspective drawing in a showcase evoking a painting yet not reveling it. Also on show \u201cStudio per Da lontano\u201d (2015), a preparatory drawing of Giulio Paolini\u2019s intervention for the Baroque temple of Museo Cappella Sansevero in Naples, and \u201cStudio per Villa dei misteri\u201d (2013), a composition of images in perspective whose title is inspired by the Pompeian domus. With the exhibition \u201cGiulio Paolini. Teoria delle apparenze\u201d, Galleria Fumagalli pays homage to one of the most representative artists of the Italian avant-garde. Through installation, drawing, collage, plaster cast and photography, from the ’60s till today, Giulio Paolini explores the tautological and metaphysical nature of the artistic practice questioning its method structures and regenerating the work in always new perspectives. “My way of operating is in relationship, a continuous relay, between the previous and upcoming artwork. Every painting is ultimately the replica of the previous one (I would say that it comes to life as a replica of the previous one)”. (Giulio Paolini in “Dipingere la pittura”, interview by Nico Orengo in “Fuoricampo”, Turin 1973).<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Giulio Paolini was born in Genoa in 1940, he lives and works in Turin. From the beginning in the early 60s his analytical research affirms the work of art as a pure attestation of itself and as a specific linguistic tool of the artistic field. Starting from the exposition of the material codes of the painting system (such as the white canvas, the sheet, the frame, etc.) Giulio Paolini’s interest is turned to representation as a category of expressivity, moving an investigation on art starting from its history and as a sedimentation of a knowledge to be questioned always. Over the years his work has been shown in eminent international public institutions, among the latest solo shows: Center for Italian Modern Art, New York and Museo Poldi Pezzoli, Milan (2016), Macro, Rome (2013), Palazzo delle Esposizioni, Rome (2010), Kunstmuseum, Winterthur and Westf\u00e4lisches Landesmuseum, M\u00fcnster (2005), Mart, Rovereto (2004), Fondazione Prada, Milan (2003), CEAAC, Strasbourg and GAM, Turin (2001), Museo d\u2019Arte Contemporanea Castello di Rivoli, Turin (1999, 1991, 1986), Mamco, Geneve (1999), Neue Galerie, Graz (1998), Palazzo della Ragione, Padua (1995), Kunstmuseum, Winterthur (1993), K\u00f6lnischer Kunstverein, Koln and Museo di Capodimonte, Naples (1988), Mus\u00e9e d\u2019art contemporain, Montr\u00e9al (1985), PAC, Milan and Neuer Berliner Kunstverein, Berlin (1982), Galleria Nazionale d\u2019Arte Moderna, Rome (1981), Stedelijk Museum, Amsterdam and Museum of Modern Art, Oxford (1980), Mus\u00e9e d\u2019Art Moderne de la Ville de Paris (1978), Museum of Modern Art, New York (1974). His works are permanently displayed in public and private institutions all over the world such as Museo d\u2019Arte Contemporanea Castello di Rivoli, Turin; Centro per l\u2019arte contemporanea Luigi Pecci, Prato; FRAC Bourgogne, Dijon; Galleria nazionale d\u2019arte moderna and contemporanea, Rome; Mart, Rovereto; MAXXI, Rome; Mus\u00e9e d\u2019art contemporain, Montr\u00e9al; Mus\u00e9e d\u2019Art Moderne, Brussels; Mus\u00e9e des Beaux-Arts, Nantes; Museo del Novecento, Milan; Museum Boijmans Van Beuningen, Rotterdam; Museum Moderner Kunst Stiftung Ludwig, Vienna; National Gallery of Art, Washington D.C.; Nationalgalerie, Berlin; Museum of Modern Art, San Francisco; Solomon R. Guggenheim Museum, New York; Stedelijk Museum, Amsterdam; Tate, London; The Art Institute, Chicago; Walker Art Center, Minneapolis.<\/p>\n[\/vc_column_text]

<\/div><\/div>[vc_column_text]View press release \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” translate_x=”-69″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+SW5zdGFsbGF0aW9uIHZpZXdzPC9wPg==[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”4\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_raw_html]W1VSSVNQIGlkPTg1MDFd[\/vc_raw_html][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Installation views[\/vc_column_text]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”5%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_raw_html]W1VSSVNQIGlkPTg1MDBd[\/vc_raw_html]
<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” translate_x=”-69″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+UHJlc3M8L3A+[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]All Art
\n<\/strong><\/p>\n

March 2018
\n“Giulio Paolini. Teoria delle apparenze”<\/p>\n

Read article\u00a0 \u2192<\/span><\/a>[\/vc_column_text]

<\/div><\/div>[vc_column_text]Il Giornale dell’Arte
\n<\/strong><\/p>\n

January 2018
\n“Apparenze, equivalenze, indifferenze. Giuio Paolini da Fumagalli”<\/p>\n

Read article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]artribune.com<\/strong><\/p>\n

30 January 2018
\n“Apparenze e teoria. Giulio Paolini a Milano”<\/p>\n

Read article\u00a0 \u2192<\/span><\/a>[\/vc_column_text]

<\/div><\/div>[vc_column_text]Flash Art
\n<\/strong><\/p>\n

17 April 2018
\n“Giulio Paolini. Fumagalli \/ Milano”<\/p>\n

Read article\u00a0 \u2192<\/span><\/a><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Arte
\n<\/strong><\/p>\n

January 2018
\n“Giulio Paolini. Teatro dell’evocazione”<\/p>\n

Read article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Press[\/vc_column_text]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]All Art
\n<\/strong><\/p>\n

March 2018
\n“Giulio Paolini. Teoria delle apparenze”<\/p>\n

Read article\u00a0 \u2192<\/a>[\/vc_column_text]

<\/div><\/div>[vc_column_text]Il Giornale dell’Arte
\n<\/strong><\/p>\n

January 2018
\n“Apparenze, equivalenze, indifferenze. Giuio Paolini da Fumagalli”<\/p>\n

Read article\u00a0 \u2192<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]artribune.com
\n<\/strong><\/p>\n

30 January 2018
\n“Apparenze e teoria. Giulio Paolini a Milano”<\/p>\n

Read article\u00a0 \u2192<\/a>[\/vc_column_text]

<\/div><\/div>[vc_column_text]Flash Art
\n<\/strong><\/p>\n

17 April 2018
\n“Giulio Paolini. Fumagalli \/ Milano”<\/p>\n

Read article\u00a0 \u2192<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Arte
\n<\/strong><\/p>\n

January 2018
\n“Giulio Paolini. Teatro dell’evocazione”<\/p>\n

Read article\u00a0 \u2192<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” bg_color=”#ededed” scene_position=”center” text_color=”dark” text_align=”center” translate_y=”50″ overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column centered_text=”true” column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”]

<\/div><\/div>[vc_column_text]\n

JOIN OUR MAILING LIST<\/strong><\/p>\n[\/vc_column_text]

<\/div><\/div>[nectar_cta btn_style=”see-through” heading_tag=”h6″ link_type=”regular” alignment=”center” url=”https:\/\/vps124721.inmotionhosting.com\/en\/newsletter\/” link_text=”Email”]
<\/div><\/div>[\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

16 January to 14 April 2018<\/p>\n","protected":false},"author":1,"featured_media":13362,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[155,292],"tags":[],"class_list":{"0":"post-13361","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-exhibitions","8":"category-exhibition-giulio-paolini"},"yoast_head":"\nGIULIO PAOLINI - TEORIA DELLE APPARENZE | Galleria Fumagalli - Galleria d'arte contemporanea Milano<\/title>\n<meta name=\"description\" content=\"Galleria Fumagalli presents the exhibition \u201cGiulio Paolini. Teoria delle apparenze\u201d, a selection of works from 1969 to 2015.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galleriafumagalli.com\/en\/exhibitions\/giulio-paolini-teoria-delle-apparenze\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"GIULIO PAOLINI - TEORIA DELLE APPARENZE | Galleria Fumagalli - Galleria d'arte contemporanea Milano\" \/>\n<meta property=\"og:description\" content=\"Galleria Fumagalli presents the exhibition \u201cGiulio Paolini. Teoria delle apparenze\u201d, a selection of works from 1969 to 2015.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/galleriafumagalli.com\/en\/exhibitions\/giulio-paolini-teoria-delle-apparenze\/\" \/>\n<meta property=\"og:site_name\" content=\"Galleria Fumagalli\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/GalleriaFumagalli\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-01-16T14:51:44+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-07-18T10:09:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/galleriafumagalli.com\/wp-content\/uploads\/2019\/04\/Copertina-800x600-3.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"27 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/exhibitions\\\/giulio-paolini-teoria-delle-apparenze\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/exhibitions\\\/giulio-paolini-teoria-delle-apparenze\\\/\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/#\\\/schema\\\/person\\\/56874f0829c7b9218ce2dab85a3f3496\"},\"headline\":\"GIULIO PAOLINI – TEORIA DELLE APPARENZE\",\"datePublished\":\"2018-01-16T14:51:44+00:00\",\"dateModified\":\"2019-07-18T10:09:57+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/exhibitions\\\/giulio-paolini-teoria-delle-apparenze\\\/\"},\"wordCount\":5357,\"commentCount\":16,\"publisher\":{\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/exhibitions\\\/giulio-paolini-teoria-delle-apparenze\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/galleriafumagalli.com\\\/wp-content\\\/uploads\\\/2019\\\/04\\\/Copertina-800x600-3.jpg\",\"articleSection\":[\"Exhibitions\",\"Giulio Paolini\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/exhibitions\\\/giulio-paolini-teoria-delle-apparenze\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/exhibitions\\\/giulio-paolini-teoria-delle-apparenze\\\/\",\"url\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/exhibitions\\\/giulio-paolini-teoria-delle-apparenze\\\/\",\"name\":\"GIULIO PAOLINI - TEORIA DELLE APPARENZE | Galleria Fumagalli - Galleria d'arte contemporanea Milano\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/exhibitions\\\/giulio-paolini-teoria-delle-apparenze\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/exhibitions\\\/giulio-paolini-teoria-delle-apparenze\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/galleriafumagalli.com\\\/wp-content\\\/uploads\\\/2019\\\/04\\\/Copertina-800x600-3.jpg\",\"datePublished\":\"2018-01-16T14:51:44+00:00\",\"dateModified\":\"2019-07-18T10:09:57+00:00\",\"description\":\"Galleria Fumagalli presents the exhibition \u201cGiulio Paolini. Teoria delle apparenze\u201d, a selection of works from 1969 to 2015.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/exhibitions\\\/giulio-paolini-teoria-delle-apparenze\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/exhibitions\\\/giulio-paolini-teoria-delle-apparenze\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/exhibitions\\\/giulio-paolini-teoria-delle-apparenze\\\/#primaryimage\",\"url\":\"https:\\\/\\\/galleriafumagalli.com\\\/wp-content\\\/uploads\\\/2019\\\/04\\\/Copertina-800x600-3.jpg\",\"contentUrl\":\"https:\\\/\\\/galleriafumagalli.com\\\/wp-content\\\/uploads\\\/2019\\\/04\\\/Copertina-800x600-3.jpg\",\"width\":800,\"height\":600},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/exhibitions\\\/giulio-paolini-teoria-delle-apparenze\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"GIULIO PAOLINI – TEORIA DELLE APPARENZE\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/\",\"name\":\"Galleria Fumagalli\",\"description\":\"Galleria d'arte contemporanea Milano\",\"publisher\":{\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/#organization\",\"name\":\"Galleria Fumgalli\",\"url\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/vps124721.inmotionhosting.com\\\/wp-content\\\/uploads\\\/2018\\\/11\\\/logo.png\",\"contentUrl\":\"https:\\\/\\\/vps124721.inmotionhosting.com\\\/wp-content\\\/uploads\\\/2018\\\/11\\\/logo.png\",\"width\":854,\"height\":80,\"caption\":\"Galleria Fumgalli\"},\"image\":{\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/GalleriaFumagalli\\\/\",\"https:\\\/\\\/www.instagram.com\\\/galleriafumagalli\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/#\\\/schema\\\/person\\\/56874f0829c7b9218ce2dab85a3f3496\",\"name\":\"admin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/4782ed9b863cfc15f6f436eedf2c726f090cbea69d711d5666c552d1256962b9?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/4782ed9b863cfc15f6f436eedf2c726f090cbea69d711d5666c552d1256962b9?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/4782ed9b863cfc15f6f436eedf2c726f090cbea69d711d5666c552d1256962b9?s=96&d=mm&r=g\",\"caption\":\"admin\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"GIULIO PAOLINI - TEORIA DELLE APPARENZE | Galleria Fumagalli - Galleria d'arte contemporanea Milano","description":"Galleria Fumagalli presents the exhibition \u201cGiulio Paolini. Teoria delle apparenze\u201d, a selection of works from 1969 to 2015.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/galleriafumagalli.com\/en\/exhibitions\/giulio-paolini-teoria-delle-apparenze\/","og_locale":"en_US","og_type":"article","og_title":"GIULIO PAOLINI - TEORIA DELLE APPARENZE | Galleria Fumagalli - Galleria d'arte contemporanea Milano","og_description":"Galleria Fumagalli presents the exhibition \u201cGiulio Paolini. Teoria delle apparenze\u201d, a selection of works from 1969 to 2015.","og_url":"https:\/\/galleriafumagalli.com\/en\/exhibitions\/giulio-paolini-teoria-delle-apparenze\/","og_site_name":"Galleria Fumagalli","article_publisher":"https:\/\/www.facebook.com\/GalleriaFumagalli\/","article_published_time":"2018-01-16T14:51:44+00:00","article_modified_time":"2019-07-18T10:09:57+00:00","og_image":[{"width":800,"height":600,"url":"https:\/\/galleriafumagalli.com\/wp-content\/uploads\/2019\/04\/Copertina-800x600-3.jpg","type":"image\/jpeg"}],"author":"admin","twitter_card":"summary_large_image","twitter_misc":{"Written by":"admin","Est. reading time":"27 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/galleriafumagalli.com\/en\/exhibitions\/giulio-paolini-teoria-delle-apparenze\/#article","isPartOf":{"@id":"https:\/\/galleriafumagalli.com\/en\/exhibitions\/giulio-paolini-teoria-delle-apparenze\/"},"author":{"name":"admin","@id":"https:\/\/galleriafumagalli.com\/en\/#\/schema\/person\/56874f0829c7b9218ce2dab85a3f3496"},"headline":"GIULIO PAOLINI – TEORIA DELLE APPARENZE","datePublished":"2018-01-16T14:51:44+00:00","dateModified":"2019-07-18T10:09:57+00:00","mainEntityOfPage":{"@id":"https:\/\/galleriafumagalli.com\/en\/exhibitions\/giulio-paolini-teoria-delle-apparenze\/"},"wordCount":5357,"commentCount":16,"publisher":{"@id":"https:\/\/galleriafumagalli.com\/en\/#organization"},"image":{"@id":"https:\/\/galleriafumagalli.com\/en\/exhibitions\/giulio-paolini-teoria-delle-apparenze\/#primaryimage"},"thumbnailUrl":"https:\/\/galleriafumagalli.com\/wp-content\/uploads\/2019\/04\/Copertina-800x600-3.jpg","articleSection":["Exhibitions","Giulio Paolini"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/galleriafumagalli.com\/en\/exhibitions\/giulio-paolini-teoria-delle-apparenze\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/galleriafumagalli.com\/en\/exhibitions\/giulio-paolini-teoria-delle-apparenze\/","url":"https:\/\/galleriafumagalli.com\/en\/exhibitions\/giulio-paolini-teoria-delle-apparenze\/","name":"GIULIO PAOLINI - TEORIA DELLE APPARENZE | Galleria Fumagalli - Galleria d'arte contemporanea Milano","isPartOf":{"@id":"https:\/\/galleriafumagalli.com\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/galleriafumagalli.com\/en\/exhibitions\/giulio-paolini-teoria-delle-apparenze\/#primaryimage"},"image":{"@id":"https:\/\/galleriafumagalli.com\/en\/exhibitions\/giulio-paolini-teoria-delle-apparenze\/#primaryimage"},"thumbnailUrl":"https:\/\/galleriafumagalli.com\/wp-content\/uploads\/2019\/04\/Copertina-800x600-3.jpg","datePublished":"2018-01-16T14:51:44+00:00","dateModified":"2019-07-18T10:09:57+00:00","description":"Galleria Fumagalli presents the exhibition \u201cGiulio Paolini. Teoria delle apparenze\u201d, a selection of works from 1969 to 2015.","breadcrumb":{"@id":"https:\/\/galleriafumagalli.com\/en\/exhibitions\/giulio-paolini-teoria-delle-apparenze\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/galleriafumagalli.com\/en\/exhibitions\/giulio-paolini-teoria-delle-apparenze\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/galleriafumagalli.com\/en\/exhibitions\/giulio-paolini-teoria-delle-apparenze\/#primaryimage","url":"https:\/\/galleriafumagalli.com\/wp-content\/uploads\/2019\/04\/Copertina-800x600-3.jpg","contentUrl":"https:\/\/galleriafumagalli.com\/wp-content\/uploads\/2019\/04\/Copertina-800x600-3.jpg","width":800,"height":600},{"@type":"BreadcrumbList","@id":"https:\/\/galleriafumagalli.com\/en\/exhibitions\/giulio-paolini-teoria-delle-apparenze\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/galleriafumagalli.com\/en\/"},{"@type":"ListItem","position":2,"name":"GIULIO PAOLINI – TEORIA DELLE APPARENZE"}]},{"@type":"WebSite","@id":"https:\/\/galleriafumagalli.com\/en\/#website","url":"https:\/\/galleriafumagalli.com\/en\/","name":"Galleria Fumagalli","description":"Galleria d'arte contemporanea Milano","publisher":{"@id":"https:\/\/galleriafumagalli.com\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/galleriafumagalli.com\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/galleriafumagalli.com\/en\/#organization","name":"Galleria Fumgalli","url":"https:\/\/galleriafumagalli.com\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/galleriafumagalli.com\/en\/#\/schema\/logo\/image\/","url":"https:\/\/vps124721.inmotionhosting.com\/wp-content\/uploads\/2018\/11\/logo.png","contentUrl":"https:\/\/vps124721.inmotionhosting.com\/wp-content\/uploads\/2018\/11\/logo.png","width":854,"height":80,"caption":"Galleria Fumgalli"},"image":{"@id":"https:\/\/galleriafumagalli.com\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/GalleriaFumagalli\/","https:\/\/www.instagram.com\/galleriafumagalli\/"]},{"@type":"Person","@id":"https:\/\/galleriafumagalli.com\/en\/#\/schema\/person\/56874f0829c7b9218ce2dab85a3f3496","name":"admin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/4782ed9b863cfc15f6f436eedf2c726f090cbea69d711d5666c552d1256962b9?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/4782ed9b863cfc15f6f436eedf2c726f090cbea69d711d5666c552d1256962b9?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/4782ed9b863cfc15f6f436eedf2c726f090cbea69d711d5666c552d1256962b9?s=96&d=mm&r=g","caption":"admin"}}]}},"_links":{"self":[{"href":"https:\/\/galleriafumagalli.com\/en\/wp-json\/wp\/v2\/posts\/13361","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/galleriafumagalli.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/galleriafumagalli.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/galleriafumagalli.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/galleriafumagalli.com\/en\/wp-json\/wp\/v2\/comments?post=13361"}],"version-history":[{"count":5,"href":"https:\/\/galleriafumagalli.com\/en\/wp-json\/wp\/v2\/posts\/13361\/revisions"}],"predecessor-version":[{"id":15501,"href":"https:\/\/galleriafumagalli.com\/en\/wp-json\/wp\/v2\/posts\/13361\/revisions\/15501"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/galleriafumagalli.com\/en\/wp-json\/wp\/v2\/media\/13362"}],"wp:attachment":[{"href":"https:\/\/galleriafumagalli.com\/en\/wp-json\/wp\/v2\/media?parent=13361"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/galleriafumagalli.com\/en\/wp-json\/wp\/v2\/categories?post=13361"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/galleriafumagalli.com\/en\/wp-json\/wp\/v2\/tags?post=13361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}