{"id":13375,"date":"2017-05-04T16:02:02","date_gmt":"2017-05-04T14:02:02","guid":{"rendered":"https:\/\/vps124721.inmotionhosting.com\/uncategorized\/maurizio-nannucci-what-to-see-what-not-to-see\/"},"modified":"2019-07-18T12:11:37","modified_gmt":"2019-07-18T10:11:37","slug":"maurizio-nannucci-what-to-see-what-not-to-see","status":"publish","type":"post","link":"https:\/\/galleriafumagalli.com\/en\/exhibitions\/maurizio-nannucci-what-to-see-what-not-to-see\/","title":{"rendered":"MAURIZIO NANNUCCI – WHAT TO SEE WHAT NOT TO SEE"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#ffffff” scene_position=”center” text_color=”dark” text_align=”left” translate_y=”-50″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”]
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\n4 May – 22 July 2017″ font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”]
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<\/div><\/div>[vc_custom_heading text=”WHAT TO SEE WHAT NOT TO SEE
\n4 May – 22 July 2017″ font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”]
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\"\"<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”3%” bottom_padding=”7%” translate_x=”-69″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+VGV4dDwvcD4=[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Galleria\u00a0Fumagalli presents the exhibition by\u00a0Maurizio Nannucci \u201cWhat to see what not to see\u201d. The collaboration between the Gallery and Maurizio Nannucci begins in 2004 in Bergamo with his participation in the exhibition \u201cAA.VV. 30\u201d, followed in 2005 by the solo show \u201cNeon Words\u201d. \u201cWhat to see what not to see\u201d is the first solo exhibition of the artist in Italy after the large retrospective at the Maxxi in Rome in 2015. The exhibition consists of a sequence of five new works by Maurizio Nannucci, realized in large neon of different colours that, through images, words and meanings interact with the gallery spaces. In particular, the project focuses on the reiteration of affirmative and negative phrases that contain some changes concerning the sign and inherent the meaning. Through this strict dialectic between two opposite poles, the artist’s research tends to highlight how the fulcrum of his own achievements is to be sought not in the effectiveness of a self-concluded act, in a peremptory affirmation, but in the continuous suspension of the semiologic and semantic components of the reality in a precarious but generative space between affirmation and negation, between the impossibility of the response and the performativity of the demand, in a continuous expansion of its latent possibilities.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

The works appear as a series of questions in tension that reflect on the condition of man in society in a twofold relationship, with others and with oneself. The urgency that arises every day is to make a choice: what to see, what to say, what to think, what to perceive, what to love … how to orient our decisions. The meaning is always elusive, unresolved, but the purpose of Nannucci is not to offer solutions in itself, but to reflect and allude to the different possibilities of reading and interpreting the signs that surround us, in a continuous opening and declination of the semantic components intrinsic to their own accomplishments. Nannucci’s work gives a symbolic value to the individual words, he himself says: “I believe that the image transcends the limits of representation, becoming a mental image, a virtual image that is born of a dream or an eye-catching dream, a visual and relative image, which can be summoned by one word, one sound, or one perfume…” Reducing visual media to language and writing, Nannucci pursues an artistic practice that evokes sensory perception, which transmits new spatial experiences and activates an exchange between the work and the viewer, motivating him in a free play of thought to a more in-depth and renewed relationship between one’s self, sensorial and conceptual, and the surrounding.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Maurizio Nannucci (Firenze 1939) \u00e8 tra i protagonisti dell\u2019arte italiana degli ultimi decenni e tra i pi\u00f9 conosciuti\u00a0a livello internazionale. Sin dalla met\u00e0 degli anni Sessanta esplora il rapporto tra arte, linguaggio e immagine, tra luce-colore e spazio, creando inedite proposte concettuali, caratterizzate dall\u2019utilizzo di media diversi: neon, fotografia, video, suono, edizioni e libri d\u2019artista. Sono del 1967 le prime opere al neon con le quali l’artista situa le immagini-parole in un circuito fluido che attraversa il colore, il segno e il significato. Nei primi anni ’90 collabora con architetti come Renzo Piano, Massimiliano Fuksas, Mario Botta, Nicolas Grimshaw, Stephan Braunfels, e realizza numerosi progetti per edifici pubblici. Numerose sono state recentemente le installazioni di Nannucci in spazi pubblici a Milano: dalla grande \u201cAnd what about the truth\u201d in Triennale (2006) a \u201cNo more excuses\u201d, realizzato per l\u2019Expo 2015 sulla facciata del Refettorio Ambrosiano di Piazzale Greco.<\/p>\n[\/vc_column_text]

<\/div><\/div>[vc_column_text]View press release \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”8%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Text[\/vc_column_text]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”3%” bottom_padding=”7%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Galleria\u00a0Fumagalli presents the exhibition by\u00a0Maurizio Nannucci \u201cWhat to see what not to see\u201d. The collaboration between the Gallery and Maurizio Nannucci begins in 2004 in Bergamo with his participation in the exhibition \u201cAA.VV. 30\u201d, followed in 2005 by the solo show \u201cNeon Words\u201d. \u201cWhat to see what not to see\u201d is the first solo exhibition of the artist in Italy after the large retrospective at the Maxxi in Rome in 2015. The exhibition consists of a sequence of five new works by Maurizio Nannucci, realized in large neon of different colours that, through images, words and meanings interact with the gallery spaces. In particular, the project focuses on the reiteration of affirmative and negative phrases that contain some changes concerning the sign and inherent the meaning. Through this strict dialectic between two opposite poles, the artist’s research tends to highlight how the fulcrum of his own achievements is to be sought not in the effectiveness of a self-concluded act, in a peremptory affirmation, but in the continuous suspension of the semiologic and semantic components of the reality in a precarious but generative space between affirmation and negation, between the impossibility of the response and the performativity of the demand, in a continuous expansion of its latent possibilities.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

The works appear as a series of questions in tension that reflect on the condition of man in society in a twofold relationship, with others and with oneself. The urgency that arises every day is to make a choice: what to see, what to say, what to think, what to perceive, what to love … how to orient our decisions. The meaning is always elusive, unresolved, but the purpose of Nannucci is not to offer solutions in itself, but to reflect and allude to the different possibilities of reading and interpreting the signs that surround us, in a continuous opening and declination of the semantic components intrinsic to their own accomplishments. Nannucci’s work gives a symbolic value to the individual words, he himself says: “I believe that the image transcends the limits of representation, becoming a mental image, a virtual image that is born of a dream or an eye-catching dream, a visual and relative image, which can be summoned by one word, one sound, or one perfume…” Reducing visual media to language and writing, Nannucci pursues an artistic practice that evokes sensory perception, which transmits new spatial experiences and activates an exchange between the work and the viewer, motivating him in a free play of thought to a more in-depth and renewed relationship between one’s self, sensorial and conceptual, and the surrounding.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Maurizio Nannucci (Firenze 1939) \u00e8 tra i protagonisti dell\u2019arte italiana degli ultimi decenni e tra i pi\u00f9 conosciuti\u00a0a livello internazionale. Sin dalla met\u00e0 degli anni Sessanta esplora il rapporto tra arte, linguaggio e immagine, tra luce-colore e spazio, creando inedite proposte concettuali, caratterizzate dall\u2019utilizzo di media diversi: neon, fotografia, video, suono, edizioni e libri d\u2019artista. Sono del 1967 le prime opere al neon con le quali l’artista situa le immagini-parole in un circuito fluido che attraversa il colore, il segno e il significato. Nei primi anni ’90 collabora con architetti come Renzo Piano, Massimiliano Fuksas, Mario Botta, Nicolas Grimshaw, Stephan Braunfels, e realizza numerosi progetti per edifici pubblici. Numerose sono state recentemente le installazioni di Nannucci in spazi pubblici a Milano: dalla grande \u201cAnd what about the truth\u201d in Triennale (2006) a \u201cNo more excuses\u201d, realizzato per l\u2019Expo 2015 sulla facciata del Refettorio Ambrosiano di Piazzale Greco.<\/p>\n[\/vc_column_text]

<\/div><\/div>[vc_column_text]View press release \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” translate_x=”-69″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+SW5zdGFsbGF0aW9uIHZpZXdzPC9wPg==[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”4\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_raw_html]W1VSSVNQIGlkPTc4NjZd[\/vc_raw_html][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Installation views[\/vc_column_text]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”5%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_raw_html]W1VSSVNQIGlkPTc4Njdd[\/vc_raw_html]
<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” translate_x=”-69″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+UHJlc3M8L3A+[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Flash Art
\n<\/strong><\/p>\n

July\/August\/September 2017
\n“Maurizio Nannucci”<\/p>\n

Read article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]formeuniche.org
\n<\/strong><\/p>\n

5 June 2017
\n“Per concreti sognatori. Maurizio Nannucci”<\/p>\n

Read article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]lofficiel.com<\/strong><\/p>\n

2 May 2017
\n“What to see what not to see”<\/p>\n

Read article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

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\n<\/strong><\/p>\n

July\/August\/September 2017
\n“Maurizio Nannucci”<\/p>\n

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5 June 2017
\n“Per concreti sognatori. Maurizio Nannucci”<\/p>\n

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2 May 2017
\n“What to see what not to see”<\/p>\n

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4 May to 22 July 2017<\/p>\n","protected":false},"author":1,"featured_media":13376,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[155,168],"tags":[],"class_list":{"0":"post-13375","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-exhibitions","8":"category-exhibition-maurizio-nannucci"},"yoast_head":"\nMAURIZIO NANNUCCI - WHAT TO SEE WHAT NOT TO SEE | Galleria Fumagalli - Galleria d'arte contemporanea Milano<\/title>\n<meta name=\"description\" content=\"\u201cWhat to see what not to see\u201d is the first solo exhibition of the artist in Italy after the large retrospective at the Maxxi in Rome in 2015.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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