{"id":13382,"date":"2017-02-24T16:06:52","date_gmt":"2017-02-24T15:06:52","guid":{"rendered":"https:\/\/vps124721.inmotionhosting.com\/uncategorized\/switch-on-3\/"},"modified":"2019-07-18T12:12:16","modified_gmt":"2019-07-18T10:12:16","slug":"switch-on-3","status":"publish","type":"post","link":"https:\/\/galleriafumagalli.com\/en\/exhibitions\/switch-on-3\/","title":{"rendered":"SWITCH ON 3"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#ffffff” scene_position=”center” text_color=”dark” text_align=”left” translate_y=”-50″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”]
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<\/div><\/div>[vc_custom_heading text=”Vito Acconci, Giovanni Anselmo, Lawrence Carroll, Tony Cragg, Hanne Darboven, Giorgio Griffa, Jannis Kounellis, Chiara Lecca, Dennis Oppenheim, Gilberto Zorio
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\"\"<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”3%” bottom_padding=”7%” translate_x=”-69″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+VGV4dDwvcD4=[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Galleria Fumagalli\u00a0presents the group exhibition\u00a0Switch On 3, a selection of works by Vito Acconci, Giovanni Anselmo, Lawrence Carroll, Tony Cragg, Hanne Darboven, Giorgio Griffa, Jannis Kounellis, Chiara Lecca, Dennis Oppenheim, Gilberto Zorio. The exhibition follows individual and complementary paths, which share a common conceptual approach, open to the displacement of thought. The creation of regulatory or sensitive systems that the artists involved have been implementing, leads the body to measure with the space and, more generally, with the universe and the place that the man occupy. \u201cSwitch On\u201d, literally \u201cturn on,\u201d therefore refers to the principle of a movement (physical or conceptual) for new dimensions of interpretation and relation to reality. Sculptor, performer and video artist,\u00a0Vito Acconci\u00a0is one of the major protagonists of body art and performance art. His photographic works, videos and performances focus on the body in the relationship with himself, the others and the architectural space. In Following Piece, a daily activity made in October 1969, Vito Acconci follows a foreigner, chosen at random on the streets of New York, as long as this does not enter into a private space; by doing so, the artist \u201cis almost not anymore\u00a0himself and gets to the scheme service\u201d. Similarly,\u00a0Dennis Oppenheim, who since the sixties experimented with the use of different media \u2013 writing, action, video, cinema, photography, installation \u2013 acts\u00a0on the operation rather than the thing itself. Not limited to the mere creation of objects, Dennis Oppenheim develops an ambiguous and problematic system of signs that forces the viewer to question the absolute instability of the universe.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

In the same years\u00a0Giovanni Anselmo\u00a0is engaged in a research aimed at enhancing the potential presence of the invisible in the visible, exposing the close relationship between the finite and infinite. Event detector in the poetics of Giovanni Anselmo is the dawn of August 16, 1965 when the artist, from the top of the volcano Stromboli, in a unique combination of time, space, sky and rising sun, discover to\u00a0be deprived of his shadow. Senza titolo. Teoria dell\u2019Ombra refers to\u00a0the artist\u2019s research stimulated by the remembered experience lived on the volcano and the will\u00a0to make manifest, in time and space, the forces in the making that the elements produce when\u00a0in the encounter.\u00a0Jannis Kounellis,\u00a0also\u00a0belonging to the Arte Povera, gives to the artwork infinite openness starting a new process involving the viewer. Thus the image becomes spatial interaction between the objects, for the creation of a vision not far but encompassing the observer.\u00a0Gilberto Zorio, another protagonist of the movement, followed a\u00a0research for the communion between the rules of composition \u2013 reset to an almost primal level of form\u00a0and pure energy \u2013 and the elements subjected to esoteric laws. Thus emerges an art that leaves the chaos\u00a0to show its\u00a0magical alchemical symbolic harmony. Giorgio Griffa\u00a0is one of the leading exponents of Analytical Painting, suggesting a mediated\u00a0painting of signs and colours, laid with refined gestures that leave essential traces on the canvas. Rejecting the frame, the colour becomes direct connection of the action and actual trace\u00a0of thought, suggesting an idea of movement that through painting reaches the space that becomes finite, non-finite and infinite.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

The research of\u00a0Lawrence Carroll\u00a0also focuses on the experimentation of\u00a0the various possibilities\u00a0of being\u00a0in the space, using painted frames containing objects (flowers, bulbs, shoes etc.), as volumes that interact with the environment. These assemblages create real bodies\u00a0to be observed from different points of view, in a three-dimensional perspective.\u00a0Tony Cragg\u00a0instead goes in search of new relations between human beings and matter, without limiting the used elements because there are no limits in the idea and form to achieve. Spill, from\u00a01988, shows the artist\u2019s interest in the theme of the dwelling, a symbol of the way in which humans change and is in relation with the environment. Hanne Darboven\u2018s artistic research is a kind of \u201cmathematical literature\u201d in which handwritten progressions of values make manifest the passage of time in space. This is the case, for example, of the series The Sundial \/ The Moonlight in which each sheet refers to the first two months of the leap year 1976. The fact of adding one day to the calendar to make the human time coincide with the natural one, becomes central for the artist in this work. For\u00a0Chiara Lecca is fundamental the relationship between man and nature, her\u00a0research in fact wants to show the fracture made by contemporary society and the contradiction in the removal of the most instinctive human and wild part for the benefit of the rational one.<\/p>\n[\/vc_column_text]

<\/div><\/div>[vc_column_text]View press release \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”8%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Text[\/vc_column_text]

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Galleria Fumagalli\u00a0presents the group exhibition\u00a0Switch On 3, a selection of works by Vito Acconci, Giovanni Anselmo, Lawrence Carroll, Tony Cragg, Hanne Darboven, Giorgio Griffa, Jannis Kounellis, Chiara Lecca, Dennis Oppenheim, Gilberto Zorio. The exhibition follows individual and complementary paths, which share a common conceptual approach, open to the displacement of thought. The creation of regulatory or sensitive systems that the artists involved have been implementing, leads the body to measure with the space and, more generally, with the universe and the place that the man occupy. \u201cSwitch On\u201d, literally \u201cturn on,\u201d therefore refers to the principle of a movement (physical or conceptual) for new dimensions of interpretation and relation to reality. Sculptor, performer and video artist,\u00a0Vito Acconci\u00a0is one of the major protagonists of body art and performance art. His photographic works, videos and performances focus on the body in the relationship with himself, the others and the architectural space. In Following Piece, a daily activity made in October 1969, Vito Acconci follows a foreigner, chosen at random on the streets of New York, as long as this does not enter into a private space; by doing so, the artist \u201cis almost not anymore\u00a0himself and gets to the scheme service\u201d. Similarly,\u00a0Dennis Oppenheim, who since the sixties experimented with the use of different media \u2013 writing, action, video, cinema, photography, installation \u2013 acts\u00a0on the operation rather than the thing itself. Not limited to the mere creation of objects, Dennis Oppenheim develops an ambiguous and problematic system of signs that forces the viewer to question the absolute instability of the universe.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

In the same years\u00a0Giovanni Anselmo\u00a0is engaged in a research aimed at enhancing the potential presence of the invisible in the visible, exposing the close relationship between the finite and infinite. Event detector in the poetics of Giovanni Anselmo is the dawn of August 16, 1965 when the artist, from the top of the volcano Stromboli, in a unique combination of time, space, sky and rising sun, discover to\u00a0be deprived of his shadow. Senza titolo. Teoria dell\u2019Ombra refers to\u00a0the artist\u2019s research stimulated by the remembered experience lived on the volcano and the will\u00a0to make manifest, in time and space, the forces in the making that the elements produce when\u00a0in the encounter.\u00a0Jannis Kounellis,\u00a0also\u00a0belonging to the Arte Povera, gives to the artwork infinite openness starting a new process involving the viewer. Thus the image becomes spatial interaction between the objects, for the creation of a vision not far but encompassing the observer.\u00a0Gilberto Zorio, another protagonist of the movement, followed a\u00a0research for the communion between the rules of composition \u2013 reset to an almost primal level of form\u00a0and pure energy \u2013 and the elements subjected to esoteric laws. Thus emerges an art that leaves the chaos\u00a0to show its\u00a0magical alchemical symbolic harmony. Giorgio Griffa\u00a0is one of the leading exponents of Analytical Painting, suggesting a mediated\u00a0painting of signs and colours, laid with refined gestures that leave essential traces on the canvas. Rejecting the frame, the colour becomes direct connection of the action and actual trace\u00a0of thought, suggesting an idea of movement that through painting reaches the space that becomes finite, non-finite and infinite.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

The research of\u00a0Lawrence Carroll\u00a0also focuses on the experimentation of\u00a0the various possibilities\u00a0of being\u00a0in the space, using painted frames containing objects (flowers, bulbs, shoes etc.), as volumes that interact with the environment. These assemblages create real bodies\u00a0to be observed from different points of view, in a three-dimensional perspective.\u00a0Tony Cragg\u00a0instead goes in search of new relations between human beings and matter, without limiting the used elements because there are no limits in the idea and form to achieve. Spill, from\u00a01988, shows the artist\u2019s interest in the theme of the dwelling, a symbol of the way in which humans change and is in relation with the environment. Hanne Darboven\u2018s artistic research is a kind of \u201cmathematical literature\u201d in which handwritten progressions of values make manifest the passage of time in space. This is the case, for example, of the series The Sundial \/ The Moonlight in which each sheet refers to the first two months of the leap year 1976. The fact of adding one day to the calendar to make the human time coincide with the natural one, becomes central for the artist in this work. For\u00a0Chiara Lecca is fundamental the relationship between man and nature, her\u00a0research in fact wants to show the fracture made by contemporary society and the contradiction in the removal of the most instinctive human and wild part for the benefit of the rational one.<\/p>\n[\/vc_column_text]

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24 February to 1 April 2017<\/p>\n","protected":false},"author":1,"featured_media":13383,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[169,170,155,171,172,173,174,175,187],"tags":[],"class_list":{"0":"post-13382","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-exhibition-vito-acconci","8":"category-exhibition-giovanni-anselmo","9":"category-exhibitions","10":"category-exhibition-lawrence-carroll","11":"category-exhibition-giorgio-griffa","12":"category-exhibition-jannis-kounellis","13":"category-exhibition-chiara-lecca","14":"category-exhibition-dennis-oppenheim","15":"category-exhibition-gilberto-zorio"},"yoast_head":"\nSWITCH ON 3 | Galleria Fumagalli - Galleria d'arte contemporanea Milano<\/title>\n<meta name=\"description\" content=\"\u201cSwitch On 3\u201d is a selection of works by Vito Acconci, Giovanni Anselmo, Lawrence Carroll, Tony Cragg, Hanne Darboven, Giorgio Griffa, Jannis Kounellis, Chiara Lecca, Dennis Oppenheim, Gilberto Zorio.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galleriafumagalli.com\/en\/exhibitions\/switch-on-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SWITCH ON 3 | Galleria Fumagalli - 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