{"id":13400,"date":"2016-11-17T16:30:21","date_gmt":"2016-11-17T15:30:21","guid":{"rendered":"https:\/\/vps124721.inmotionhosting.com\/uncategorized\/peter-welz-portrait-malaparte\/"},"modified":"2019-07-18T12:13:57","modified_gmt":"2019-07-18T10:13:57","slug":"peter-welz-portrait-malaparte","status":"publish","type":"post","link":"https:\/\/galleriafumagalli.com\/en\/exhibitions\/peter-welz-portrait-malaparte\/","title":{"rendered":"PETER WELZ – PORTRAIT MALAPARTE"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#ffffff” scene_position=”center” text_color=”dark” text_align=”left” translate_y=”-50″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”]
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\n17 November to 20 December 2016″ font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”]
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<\/div><\/div>[vc_custom_heading text=”PORTRAIT MALAPARTE
\n17 November to 20 December 2016″ font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”]
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\"\"<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”3%” bottom_padding=”7%” translate_x=”-69″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+VGV4dDwvcD4=[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Vorrei costruirmela tutta con le mie mani, pietra su pietra, mattone su mattone, la citt\u00e0 del mio cuore. Mi farei architetto, muratore, manovale, falegname, stuccatore, tutti i mestieri farei perch\u00e9 la citt\u00e0 fosse mia, proprio mia, dalle cantine ai tetti, mia come la vorrei. Una citt\u00e0 che mi assomigliasse, che fosse il mio ritratto e insieme la mia biografia… E tutti, appena entrandoci, sentissero che quella citt\u00e0 sono io, che quelle strade sono le mie braccia aperte ad accogliere gli amici. L’intonaco dei muri, le persiane, gli scalini…, vorrei che fossero la parte migliore di me, i lineamenti del mio viso e del mio spirito, gli elementi fondamentali dell’architettura e della storia della mia vita. Che m’assomigliasse, e che ciascuno sentisse, vivendoci, di stare dentro di me. Casa come me… il mio ritratto di pietra<\/em> > Curzio Malaparte<\/span><\/p>\n

On the occasion of the\u00a0 Photo Vogue Festival, Galleria Fumagalli presents a\u00a0photographic exhibition by\u00a0Peter Welz\u00a0“Portrait Malaparte”, dedicated to the imposing villa of the poet Curzio Malaparte on Capri Island. Since 2008 the German artist Peter Welz works on the study and research of three subjects, which constitute the Portraits series: Francis Bacon, Casa Malaparte and Michelangelo Antonioni. The first is the “translation” of the unfinished self-portrait by Francis Bacon, the second is devoted to Casa\u00a0Malaparte, and the third comes from (unpublished) specimens, studios and filming\u00a0of the movie\u00a0Red Desert (1964) by Michelangelo Antonioni.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

The second portrait,\u00a0Casa Malaparte, comes from the interest and the studies of\u00a0Peter Welz on motion and architecture, among which the construction of the installation “Retranslation | Final Unfinished Portrait (Francis Bacon)”, produced in collaboration with the choreographer William Forsythe and presented at the Mus\u00e9e du Louvre in Paris in 2005. Taking to its limits this\u00a0investigation on the move, in the series Malaparte Peter Welz works\u00a0on definitions and concepts of space and architecture making fluid even the rigid structures. Casa Malaparte is an austere building, elegant and modern, located on the island of Capri on a steep and narrow rocky promontory, which seems almost to emerge from the rocks, shore up to the ground by a trapezoidal staircase that stretches to the sea. Designed by the architect Adalberto Libera, it is considered one of the masterpieces of modern architecture, representing a wonderful example of integration between rationalist modernity and natural environment. The villa has had illustrious guests, including Jean Cocteau, Albert Camus, Alberto Moravia, Pablo Picasso, Palmiro Togliatti, Andr\u00e9 Breton and others, besides having inspired Jean-Luc Godard in 1963 who\u00a0shot the film Le M\u00e9pris, which is famous for the scene in which Michel Piccoli and Brigitte Bardot, covered only by a yellow book, sunbathe on the roof of the Villa.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Peter Welz born in Germany in 1972, lives and works in Berlin.\u00a0Welz is a German sculptor who, by exploiting new technology, has opened up an original kinetic perspective in plastic arts due to his multimedia choreographic installations continuously moving from sculpture, painting, video, art and dance.\u00a0His encounter with William Forsythe, on the forefront in contemporary dance, was indeed meaningful. In addition to numerous participations in national and international shows, his most important personal exhibitions\u00a0include: \u201cAirdrawing \u2013 work in progress\u201d, Irish Museum of Modern Art, Dublin 2004; \u201cWhenever on on on nohow on | airdrawing\u201d, The Renaissance Society, Chicago 2005; \u201c[retranslation | final unfinished portrait (francis bacon)]\u201d, Louvre Museum, Melpom\u00e8ne Gallery, 2006; \u201cPeter Welz: Pantalla CCCB, one month | one artist\u201d, Centre de Cultura Contemporanea de Barcelona, 2007; \u201cFigure inscribing a circle | random collage | split [figure] | single \u2013 triple\u201d, Next, Art Chicago, Chicago 2008; \u201cworking title\u201d, Galleria Nazionale d\u2019Arte Moderna, Roma 2009; \u201cWhenever on on on soho on\u201d, Triennale Aichi, Nagoya and \u201cFrancis Bacon\u201d, MOMAT, Tokyo, 2013; \u201cMichelangelo Antonioni (Lo Sguardo di Michelangelo)\u201d, La Cin\u00e9math\u00e8que Fran\u00e7aise, Paris, \u201cPeter Welz |Screen Teets | Antonioni\u201d, Fondazione Ferrara Arte, Ferrara and \u201cPeter Welz. Solo\u201d, Galerie Crone, Berlino, 2015; \u201cThe Berlin Case\u201d, Boris Yeltzin Presidential Centre, Ekaterinburg in Russia e \u201cPeter Welz | Portrait #3 \/ Antonioni\u201d, Museo d\u2019Arte Moderna e Contemporanea, Ferrara, 2016.<\/p>\n[\/vc_column_text]

<\/div><\/div>[vc_column_text]View press release \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”8%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Text[\/vc_column_text]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”3%” bottom_padding=”7%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Vorrei costruirmela tutta con le mie mani, pietra su pietra, mattone su mattone, la citt\u00e0 del mio cuore. Mi farei architetto, muratore, manovale, falegname, stuccatore, tutti i mestieri farei perch\u00e9 la citt\u00e0 fosse mia, proprio mia, dalle cantine ai tetti, mia come la vorrei. Una citt\u00e0 che mi assomigliasse, che fosse il mio ritratto e insieme la mia biografia… E tutti, appena entrandoci, sentissero che quella citt\u00e0 sono io, che quelle strade sono le mie braccia aperte ad accogliere gli amici. L’intonaco dei muri, le persiane, gli scalini…, vorrei che fossero la parte migliore di me, i lineamenti del mio viso e del mio spirito, gli elementi fondamentali dell’architettura e della storia della mia vita. Che m’assomigliasse, e che ciascuno sentisse, vivendoci, di stare dentro di me. Casa come me… il mio ritratto di pietra<\/em> > Curzio Malaparte<\/span><\/p>\n

On the occasion of the\u00a0 Photo Vogue Festival, Galleria Fumagalli presents a\u00a0photographic exhibition by\u00a0Peter Welz\u00a0“Portrait Malaparte”, dedicated to the imposing villa of the poet Curzio Malaparte on Capri Island. Since 2008 the German artist Peter Welz works on the study and research of three subjects, which constitute the Portraits series: Francis Bacon, Casa Malaparte and Michelangelo Antonioni. The first is the “translation” of the unfinished self-portrait by Francis Bacon, the second is devoted to Casa\u00a0Malaparte, and the third comes from (unpublished) specimens, studios and filming\u00a0of the movie\u00a0Red Desert (1964) by Michelangelo Antonioni.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

The second portrait,\u00a0Casa Malaparte, comes from the interest and the studies of\u00a0Peter Welz on motion and architecture, among which the construction of the installation “Retranslation | Final Unfinished Portrait (Francis Bacon)”, produced in collaboration with the choreographer William Forsythe and presented at the Mus\u00e9e du Louvre in Paris in 2005. Taking to its limits this\u00a0investigation on the move, in the series Malaparte Peter Welz works\u00a0on definitions and concepts of space and architecture making fluid even the rigid structures. Casa Malaparte is an austere building, elegant and modern, located on the island of Capri on a steep and narrow rocky promontory, which seems almost to emerge from the rocks, shore up to the ground by a trapezoidal staircase that stretches to the sea. Designed by the architect Adalberto Libera, it is considered one of the masterpieces of modern architecture, representing a wonderful example of integration between rationalist modernity and natural environment. The villa has had illustrious guests, including Jean Cocteau, Albert Camus, Alberto Moravia, Pablo Picasso, Palmiro Togliatti, Andr\u00e9 Breton and others, besides having inspired Jean-Luc Godard in 1963 who\u00a0shot the film Le M\u00e9pris, which is famous for the scene in which Michel Piccoli and Brigitte Bardot, covered only by a yellow book, sunbathe on the roof of the Villa.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Peter Welz born in Germany in 1972, lives and works in Berlin.\u00a0Welz is a German sculptor who, by exploiting new technology, has opened up an original kinetic perspective in plastic arts due to his multimedia choreographic installations continuously moving from sculpture, painting, video, art and dance.\u00a0His encounter with William Forsythe, on the forefront in contemporary dance, was indeed meaningful. In addition to numerous participations in national and international shows, his most important personal exhibitions\u00a0include: \u201cAirdrawing \u2013 work in progress\u201d, Irish Museum of Modern Art, Dublin 2004; \u201cWhenever on on on nohow on | airdrawing\u201d, The Renaissance Society, Chicago 2005; \u201c[retranslation | final unfinished portrait (francis bacon)]\u201d, Louvre Museum, Melpom\u00e8ne Gallery, 2006; \u201cPeter Welz: Pantalla CCCB, one month | one artist\u201d, Centre de Cultura Contemporanea de Barcelona, 2007; \u201cFigure inscribing a circle | random collage | split [figure] | single \u2013 triple\u201d, Next, Art Chicago, Chicago 2008; \u201cworking title\u201d, Galleria Nazionale d\u2019Arte Moderna, Roma 2009; \u201cWhenever on on on soho on\u201d, Triennale Aichi, Nagoya and \u201cFrancis Bacon\u201d, MOMAT, Tokyo, 2013; \u201cMichelangelo Antonioni (Lo Sguardo di Michelangelo)\u201d, La Cin\u00e9math\u00e8que Fran\u00e7aise, Paris, \u201cPeter Welz |Screen Teets | Antonioni\u201d, Fondazione Ferrara Arte, Ferrara and \u201cPeter Welz. Solo\u201d, Galerie Crone, Berlino, 2015; \u201cThe Berlin Case\u201d, Boris Yeltzin Presidential Centre, Ekaterinburg in Russia e \u201cPeter Welz | Portrait #3 \/ Antonioni\u201d, Museo d\u2019Arte Moderna e Contemporanea, Ferrara, 2016.<\/p>\n[\/vc_column_text]

<\/div><\/div>[vc_column_text]View press release \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” translate_x=”-69″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+SW5zdGFsbGF0aW9uIHZpZXdzPC9wPg==[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”4\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_raw_html]W1VSSVNQIGlkPTg3MjVd[\/vc_raw_html][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Installation views[\/vc_column_text]

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2 December 2016
\n“Le mura di una personalit\u00e0. Malaparte secondo Peter Welz”<\/p>\n

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2 December 2016
\n“Le mura di una personalit\u00e0. Malaparte secondo Peter Welz”<\/p>\n

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17 November to 20 December 2016<\/p>\n","protected":false},"author":1,"featured_media":13401,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[155,177],"tags":[],"class_list":{"0":"post-13400","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-exhibitions","8":"category-exhibition-peter-welz"},"yoast_head":"\nPETER WELZ - PORTRAIT MALAPARTE | Galleria Fumagalli - Galleria d'arte contemporanea Milano<\/title>\n<meta name=\"description\" content=\"The photographic exhibition by Peter Welz "Portrait Malaparte" is dedicated to the imposing villa of the poet Curzio Malaparte on Capri Island.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galleriafumagalli.com\/en\/exhibitions\/peter-welz-portrait-malaparte\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PETER WELZ - 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