{"id":13516,"date":"2009-03-03T17:50:26","date_gmt":"2009-03-03T16:50:26","guid":{"rendered":"https:\/\/vps124721.inmotionhosting.com\/uncategorized\/claude-viallat-toiles-objets-cordes-et-filets\/"},"modified":"2019-07-18T12:25:17","modified_gmt":"2019-07-18T10:25:17","slug":"claude-viallat-toiles-objets-cordes-et-filets","status":"publish","type":"post","link":"https:\/\/galleriafumagalli.com\/en\/exhibitions\/claude-viallat-toiles-objets-cordes-et-filets\/","title":{"rendered":"CLAUDE VIALLAT – TOILES, OBJETS, CORDES ET FILETS"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#ffffff” scene_position=”center” text_color=”dark” text_align=”left” translate_y=”-50″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”]
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Galleria Fumagalli hosts the exhibition \u201cClaude Viallat. Toiles, objets, cordes et filets\u201d, curated by Annamaria Maggi. Through a selection of 30 canvases, objects, cords and nets, the show offers a complete overlook on the more important languages explored by the French artist in the course of his long career. The works on show, especially the objects, the cords and the nets constitute a corpus of recent works, on view for the first time in Italy. Therefore, the exhibition offers an opportunity to discover and know about the complexity of this artist\u2019s entire career. The common denominator in Viallat\u2019s work is the reference to the primitive, the essential, the anti-form that has always distinguished the expression of the artist who was born in N\u00eemes (France) in 1936, the city where he lives and works.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

His language came to expression in the 1960s, within the stimulating, vibrant cultural climate experienced in France at the time. Claude Viallat started from the need to review the genealogy of abstract painting and the Informel (without forgetting C\u00e9zanne and Matisse), identifying as a basic form its distinctive characteristic: a sort of essential, anonymous and almost primitive anti-form, a \u201ctrace\u201d that acquired completeness and strength from iteration: the canvas left free, hanging on the wall, was scattered with these \u201ctraces\u201d, with a personal, inimitable result, essential and at the same time hypnotic. The other inseparable element in Viallat\u2019s work concerns his quest for uncommon, unusual, unexpected supports: canvases, tarpaulins and tents host his anti-forms, developing into the space, saturating it and becoming part of it.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

His work cohabits with the support which retains evidence of the previous uses: they remain clearly visible. One constant in Viallat\u2019s work seems to be the representation of the \u201ctent\u201d, the place of the beginning, a mobile, multiple, wandering architecture, in which space is transformed into real life. A rarefied perception, a rhythm, a colour, a sign and an attitude to freedom seem to be what the artist wants to convey through his art, which also comes to expression in an original sculptural output that involves objets trouv\u00e9s, cords and nets which, like his canvases, remind of the artist\u2019s amazement and interest in primordial situations, founding actions, elementary operations that are essential for existence.<\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”8%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Text[\/vc_column_text]

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Galleria Fumagalli hosts the exhibition \u201cClaude Viallat. Toiles, objets, cordes et filets\u201d, curated by Annamaria Maggi. Through a selection of 30 canvases, objects, cords and nets, the show offers a complete overlook on the more important languages explored by the French artist in the course of his long career. The works on show, especially the objects, the cords and the nets constitute a corpus of recent works, on view for the first time in Italy. Therefore, the exhibition offers an opportunity to discover and know about the complexity of this artist\u2019s entire career. The common denominator in Viallat\u2019s work is the reference to the primitive, the essential, the anti-form that has always distinguished the expression of the artist who was born in N\u00eemes (France) in 1936, the city where he lives and works.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

His language came to expression in the 1960s, within the stimulating, vibrant cultural climate experienced in France at the time. Claude Viallat started from the need to review the genealogy of abstract painting and the Informel (without forgetting C\u00e9zanne and Matisse), identifying as a basic form its distinctive characteristic: a sort of essential, anonymous and almost primitive anti-form, a \u201ctrace\u201d that acquired completeness and strength from iteration: the canvas left free, hanging on the wall, was scattered with these \u201ctraces\u201d, with a personal, inimitable result, essential and at the same time hypnotic. The other inseparable element in Viallat\u2019s work concerns his quest for uncommon, unusual, unexpected supports: canvases, tarpaulins and tents host his anti-forms, developing into the space, saturating it and becoming part of it.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

His work cohabits with the support which retains evidence of the previous uses: they remain clearly visible. One constant in Viallat\u2019s work seems to be the representation of the \u201ctent\u201d, the place of the beginning, a mobile, multiple, wandering architecture, in which space is transformed into real life. A rarefied perception, a rhythm, a colour, a sign and an attitude to freedom seem to be what the artist wants to convey through his art, which also comes to expression in an original sculptural output that involves objets trouv\u00e9s, cords and nets which, like his canvases, remind of the artist\u2019s amazement and interest in primordial situations, founding actions, elementary operations that are essential for existence.<\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” translate_x=”-69″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+SW5zdGFsbGF0aW9uIHZpZXdzPC9wPg==[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”4\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_raw_html]W1VSSVNQIGlkPTk0MzJd[\/vc_raw_html][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Installation views[\/vc_column_text]

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MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” bg_color=”#ededed” scene_position=”center” text_color=”dark” text_align=”center” translate_y=”50″ overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column centered_text=”true” column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”]

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3 March to 11 April 2009<\/p>\n","protected":false},"author":1,"featured_media":13517,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[155,185],"tags":[],"class_list":{"0":"post-13516","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-exhibitions","8":"category-exhibition-claude-viallat"},"yoast_head":"\nCLAUDE VIALLAT - TOILES, OBJETS, CORDES ET FILETS | Galleria Fumagalli - Galleria d'arte contemporanea Milano<\/title>\n<meta name=\"description\" content=\"Galleria Fumagalli hosts \u201cClaude Viallat. 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