{"id":13527,"date":"2008-09-23T17:58:53","date_gmt":"2008-09-23T15:58:53","guid":{"rendered":"https:\/\/vps124721.inmotionhosting.com\/uncategorized\/gianfranco-pardi-architetture-1970-1977-opere-recenti\/"},"modified":"2019-07-18T12:26:45","modified_gmt":"2019-07-18T10:26:45","slug":"gianfranco-pardi-architetture-1970-1977-opere-recenti","status":"publish","type":"post","link":"https:\/\/galleriafumagalli.com\/en\/exhibitions\/gianfranco-pardi-architetture-1970-1977-opere-recenti\/","title":{"rendered":"GIANFRANCO PARDI – ARCHITETTURE, 1970-1977 & OPERE RECENTI"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#ffffff” scene_position=”center” text_color=”dark” text_align=”left” translate_y=”-50″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”]
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The exhibition \u201cArchitetture 1970-1977 e Opere recenti\u201d dedicated to Gianfranco Pardi, organized by Galleria Fumagalli and Gi\u00f2 Marconi, intends to present to the public a very important series of the artist, Architetture series, and the recent works. In the early seventies, Pardi worked on a series of paintings entitled Architetture, works between painting and sculpture in which elements such as cables and tensors were added and juxtaposed on the painted canvas, showing the forces which go through the work. In 1977 he created Poeticamente abita l\u2019uomo, a rigorous and simple installation that brings into play a survey on the boundaries of the exhibition space.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

The work is related to the project conceived by Wittgenstein for his sister’s house built in Vienna, an attempt to translate some aspects of the Austrian philosopher’s thought into visual terms. Pardi constructs an intuitive system based on dimensions and placement, in geometric terms, of the constituent elements of architecture, seeking their measurable meaning, the meaning of becoming a figure in space. On that occasion the artist also presents a series of recent works in the two exhibition spaces of Milan and Bergamo. Some titles of the works explicitly indicate the intentions of the work.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Doppio uno, Trio, Arco, Topos and Ex post are works on topological ambiguity and image slippage. The very recent Emblema and Ex post (after a year of inactivity for health reasons) resume a proactive intent on color and the definition of a possible image. For the occasion, two volumes are published by the galleries Fumagalli and Gi\u00f2 Marconi, one concerning recent works and the other covering the period 1970-1977, with a wide selection of images, critical texts and documents of those years, with an essay by Bruno Cor\u00e0.<\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

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The exhibition \u201cArchitetture 1970-1977 e Opere recenti\u201d dedicated to Gianfranco Pardi, organized by Galleria Fumagalli and Gi\u00f2 Marconi, intends to present to the public a very important series of the artist, Architetture series, and the recent works. In the early seventies, Pardi worked on a series of paintings entitled Architetture, works between painting and sculpture in which elements such as cables and tensors were added and juxtaposed on the painted canvas, showing the forces which go through the work. In 1977 he created Poeticamente abita l\u2019uomo, a rigorous and simple installation that brings into play a survey on the boundaries of the exhibition space.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

The work is related to the project conceived by Wittgenstein for his sister’s house built in Vienna, an attempt to translate some aspects of the Austrian philosopher’s thought into visual terms. Pardi constructs an intuitive system based on dimensions and placement, in geometric terms, of the constituent elements of architecture, seeking their measurable meaning, the meaning of becoming a figure in space. On that occasion the artist also presents a series of recent works in the two exhibition spaces of Milan and Bergamo. Some titles of the works explicitly indicate the intentions of the work.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Doppio uno, Trio, Arco, Topos and Ex post are works on topological ambiguity and image slippage. The very recent Emblema and Ex post (after a year of inactivity for health reasons) resume a proactive intent on color and the definition of a possible image. For the occasion, two volumes are published by the galleries Fumagalli and Gi\u00f2 Marconi, one concerning recent works and the other covering the period 1970-1977, with a wide selection of images, critical texts and documents of those years, with an essay by Bruno Cor\u00e0.<\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” translate_x=”-69″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+SW5zdGFsbGF0aW9uIHZpZXdzPC9wPg==[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”4\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_raw_html]W1VSSVNQIGlkPTk0NTld[\/vc_raw_html][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

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23 September to 26 October 2008<\/p>\n","protected":false},"author":1,"featured_media":13528,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[155,156],"tags":[],"class_list":{"0":"post-13527","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-exhibitions","8":"category-exhibition-gianfranco-pardi"},"yoast_head":"\nGIANFRANCO PARDI - ARCHITETTURE, 1970-1977 & OPERE RECENTI | Galleria Fumagalli - Galleria d'arte contemporanea Milano<\/title>\n<meta name=\"description\" content=\"The exhibition \u201cArchitetture 1970-1977 e Opere recenti\u201d dedicated to Gianfranco Pardi is organized by Galleria Fumagalli and Gi\u00f2 Marconi.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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