{"id":13597,"date":"2004-05-11T18:49:30","date_gmt":"2004-05-11T16:49:30","guid":{"rendered":"https:\/\/vps124721.inmotionhosting.com\/uncategorized\/peter-wuthrich-literary-towers\/"},"modified":"2019-07-18T12:51:39","modified_gmt":"2019-07-18T10:51:39","slug":"peter-wuthrich-literary-towers","status":"publish","type":"post","link":"https:\/\/galleriafumagalli.com\/en\/exhibitions\/peter-wuthrich-literary-towers\/","title":{"rendered":"PETER W\u00dcTHRICH – LITERARY TOWERS"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#ffffff” scene_position=”center” text_color=”dark” text_align=”left” translate_y=”-50″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”]
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<\/div><\/div>[vc_custom_heading text=”LITERARY TOWERS
\n11 May to 30 June 2004″ font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”]
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The exhibition “Literary Towers” dedicated to Peter W\u00fcthrich (1962, Berne) involves Christian Stein and Galleria Fumagalli. Galleria Fumagalli presents three exhibitions on its two floors: the first, on the ground floor, highlights the work of the artist closely linked to disciplined abstraction in which the book, maniacally taken as subject, is highlighted in monochrome or bichrome geometric compositions placed on the walls. In these works the surface of the book, the cover, gives the color, which shows all its vivid beauty. In the basement the gallery exhibits the photographs of the Litterary Towers series in which the artist, acting on the imagination and the mood of the dream by activating the typical thought\u2019s system of switching by analogy, makes the book look like a tower, a palace, a skyscraper. The third exhibition brings together a group of recent works: Verbum (1999), Horizont (1996), Tiegel (2003), Der Idiot – Planet (1997) and others.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

To the question \u00abwhy are books at the centre of your interest?\u00bb The artist replies: \u00abI am attracted to books for a literary passion: everything that happens in the world sooner or later ends up in a book, past present and future, the book for me is an aesthetic object, but it is also full of meanings… everything belongs to the literary world\u2026 \u00bb. A single installation takes place at Galleria Stein: Peter W\u00fcthrich reconstructs a “bedroom”, where each object has a strong relationship with the book so as to be constituted by it, at least in part. What defines the space\/environment and allows us to glimpse the work, anticipating it with the usual translation of roles and \u201cpersonification\u201d of the book-object in another, is a curtain made of silk bookmarks, knotted together; a repeated dense verticality introduces the public to the “literary bedroom”.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

The literary glossary invests the bed: sheets and blankets are taken from Lolita by Vladimir Nabakov; the television transmits a video in which the artist walks carrying a book on a leash; in the wardrobe several boxes present a page of a book from Marcel Proust to Charles Baudelaire and Emile Zola, instead of the food label; black books are perched on a rod up to the ceiling. In all these works the detachment of the author is perceptible: he does not disdain the ironic component and, highlighting the freedom of the imagination, is able to change the object\u2019s shape and use.<\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”8%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Text[\/vc_column_text]

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The exhibition “Literary Towers” dedicated to Peter W\u00fcthrich (1962, Berne) involves Christian Stein and Galleria Fumagalli. Galleria Fumagalli presents three exhibitions on its two floors: the first, on the ground floor, highlights the work of the artist closely linked to disciplined abstraction in which the book, maniacally taken as subject, is highlighted in monochrome or bichrome geometric compositions placed on the walls. In these works the surface of the book, the cover, gives the color, which shows all its vivid beauty. In the basement the gallery exhibits the photographs of the Litterary Towers series in which the artist, acting on the imagination and the mood of the dream by activating the typical thought\u2019s system of switching by analogy, makes the book look like a tower, a palace, a skyscraper. The third exhibition brings together a group of recent works: Verbum (1999), Horizont (1996), Tiegel (2003), Der Idiot – Planet (1997) and others.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

To the question \u00abwhy are books at the centre of your interest?\u00bb The artist replies: \u00abI am attracted to books for a literary passion: everything that happens in the world sooner or later ends up in a book, past present and future, the book for me is an aesthetic object, but it is also full of meanings… everything belongs to the literary world\u2026 \u00bb. A single installation takes place at Galleria Stein: Peter W\u00fcthrich reconstructs a “bedroom”, where each object has a strong relationship with the book so as to be constituted by it, at least in part. What defines the space\/environment and allows us to glimpse the work, anticipating it with the usual translation of roles and \u201cpersonification\u201d of the book-object in another, is a curtain made of silk bookmarks, knotted together; a repeated dense verticality introduces the public to the “literary bedroom”.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

The literary glossary invests the bed: sheets and blankets are taken from Lolita by Vladimir Nabakov; the television transmits a video in which the artist walks carrying a book on a leash; in the wardrobe several boxes present a page of a book from Marcel Proust to Charles Baudelaire and Emile Zola, instead of the food label; black books are perched on a rod up to the ceiling. In all these works the detachment of the author is perceptible: he does not disdain the ironic component and, highlighting the freedom of the imagination, is able to change the object\u2019s shape and use.<\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” translate_x=”-69″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+SW5zdGFsbGF0aW9uIHZpZXdzPC9wPg==[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”4\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_raw_html]W1VSSVNQIGlkPTk4ODBd[\/vc_raw_html][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

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11 May to 30 June 2004 <\/p>\n","protected":false},"author":1,"featured_media":13598,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[155,186],"tags":[],"class_list":{"0":"post-13597","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-exhibitions","8":"category-exhibition-peter-wuethrich"},"yoast_head":"\nPETER W\u00dcTHRICH - LITERARY TOWERS | Galleria Fumagalli - Galleria d'arte contemporanea Milano<\/title>\n<meta name=\"description\" content=\"The exhibition "Literary Towers" dedicated to Peter W\u00fcthrich (1962, Berne) involves Christian Stein and Galleria Fumagalli.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galleriafumagalli.com\/en\/exhibitions\/peter-wuthrich-literary-towers\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PETER W\u00dcTHRICH - 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