{"id":14389,"date":"2019-03-29T14:46:10","date_gmt":"2019-03-29T13:46:10","guid":{"rendered":"https:\/\/vps124721.inmotionhosting.com\/uncategorized\/spilling-over-painting-color-in-the-1960s-kenneth-noland\/"},"modified":"2019-07-18T14:57:01","modified_gmt":"2019-07-18T12:57:01","slug":"spilling-over-painting-color-in-the-1960s-kenneth-noland","status":"publish","type":"post","link":"https:\/\/galleriafumagalli.com\/en\/news-en\/spilling-over-painting-color-in-the-1960s-kenneth-noland\/","title":{"rendered":"SPILLING OVER: PAINTING COLOR IN THE 1960s &#8211; KENNETH NOLAND"},"content":{"rendered":"[vc_row type=&#8221;full_width_content&#8221; full_screen_row_position=&#8221;middle&#8221; equal_height=&#8221;yes&#8221; content_placement=&#8221;middle&#8221; bg_color=&#8221;#ffffff&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; translate_y=&#8221;-50&#8243; translate_x=&#8221;-10&#8243; overlay_strength=&#8221;0.3&#8243; shape_divider_position=&#8221;bottom&#8221; shape_type=&#8221;&#8221;][vc_column column_padding=&#8221;padding-3-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_link_target=&#8221;_self&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;1\/3&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221; css=&#8221;.vc_custom_1547640184566{margin-right: 2% !important;}&#8221;][vc_column_inner enable_animation=&#8221;true&#8221; animation=&#8221;fade-in-from-bottom&#8221; column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; column_link_target=&#8221;_self&#8221; width=&#8221;1\/1&#8243; tablet_width_inherit=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_custom_heading text=&#8221;KENNETH NOLAND&#8221; font_container=&#8221;tag:h1|font_size:40|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; css_animation=&#8221;fadeIn&#8221; css=&#8221;.vc_custom_1559831451053{margin-bottom: 10px !important;}&#8221; el_class=&#8221;head-news&#8221;][vc_custom_heading text=&#8221;SPILLING OVER: PAINTING COLOR IN THE 1960s&#8221; font_container=&#8221;tag:h3|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221; el_class=&#8221;subhead-news&#8221;][\/vc_column_inner][\/vc_row_inner]<div class=\"divider-wrap\" data-alignment=\"default\"><div style=\"height: 50px;\" class=\"divider\"><\/div><\/div>[vc_column_text el_class=&#8221;subhead-news&#8221;]The exhibition, organized by the Whitney Museum in New York, brings together paintings from the 1960s and the early 1970s that inventively use bold, saturated and even hallucinatory colors to activate perception. During that time, many artists adopt acrylic paint, a new plastic-based medium, exploring its broad technical possibilities and a wider range of tones. Drawn from the Whitney\u2019s collection, the exhibition &#8220;Spilling Over&#8221; includes important works such as New Day (1967) by Kenneth Noland.<\/p>\n<p>Curated by David Breslin and Margaret Kross<br \/>\nWhitney Museum of American Art, New York (US)<\/p>\n<p>Photo via Whitney Museum website<br \/>\n29 March &#8211; 30 August 2019[\/vc_column_text]<div class=\"divider-wrap\" data-alignment=\"default\"><div style=\"height: 30px;\" class=\"divider\"><\/div><\/div>[nectar_cta btn_style=&#8221;see-through&#8221; heading_tag=&#8221;h6&#8243; text_color=&#8221;#bcbcbc&#8221; link_type=&#8221;new_tab&#8221; alignment=&#8221;left&#8221; url=&#8221;https:\/\/www.whitney.org\/exhibitions\/spilling-over#exhibition-about&#8221; class=&#8221;nectar-cta-none-bg-left cta-news&#8221; text=&#8221;More info&#8221;][\/vc_column][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_link_target=&#8221;_self&#8221; column_shadow=&#8221;none&#8221; column_border_radius=&#8221;none&#8221; width=&#8221;2\/3&#8243; tablet_width_inherit=&#8221;default&#8221; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;]<div class=\"img-with-aniamtion-wrap center\" data-max-width=\"100%\" data-border-radius=\"none\"><div class=\"inner\"><img loading=\"lazy\" decoding=\"async\" data-shadow=\"none\" data-shadow-direction=\"middle\" class=\"img-with-animation skip-lazy \" data-delay=\"0\" height=\"600\" width=\"1000\"  data-animation=\"fade-in\" src=\"https:\/\/galleriafumagalli.com\/wp-content\/uploads\/2019\/05\/Kenneth-Noland-Whitney-Museum-2019.jpg\" srcset=\"https:\/\/galleriafumagalli.com\/wp-content\/uploads\/2019\/05\/Kenneth-Noland-Whitney-Museum-2019.jpg 1000w, https:\/\/galleriafumagalli.com\/wp-content\/uploads\/2019\/05\/Kenneth-Noland-Whitney-Museum-2019-300x180.jpg 300w, https:\/\/galleriafumagalli.com\/wp-content\/uploads\/2019\/05\/Kenneth-Noland-Whitney-Museum-2019-768x461.jpg 768w\" sizes=\"auto, 100vw\" alt=\"\" \/><\/div><\/div>[\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_content&#8221; 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css=&#8221;.vc_custom_1547640184566{margin-right:&#8230;<\/p>\n","protected":false},"author":1,"featured_media":14390,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[163,364],"tags":[],"class_list":{"0":"post-14389","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-news-en","8":"category-kenneth-noland-news"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>SPILLING OVER: PAINTING COLOR IN THE 1960s - KENNETH NOLAND | Galleria Fumagalli - Galleria d&#039;arte contemporanea Milano<\/title>\n<meta name=\"description\" content=\"The exhibition, organized by the Whitney Museum in New York, brings together paintings from the 1960s and the early 1970s that inventively use bold, saturated and even hallucinatory colors to activate perception.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galleriafumagalli.com\/en\/news-en\/spilling-over-painting-color-in-the-1960s-kenneth-noland\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SPILLING OVER: PAINTING COLOR IN THE 1960s - KENNETH NOLAND | Galleria Fumagalli - Galleria d&#039;arte contemporanea Milano\" \/>\n<meta property=\"og:description\" content=\"The exhibition, organized by the Whitney Museum in New York, brings together paintings from the 1960s and the early 1970s that inventively use bold, saturated and even hallucinatory colors to activate perception.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/galleriafumagalli.com\/en\/news-en\/spilling-over-painting-color-in-the-1960s-kenneth-noland\/\" \/>\n<meta property=\"og:site_name\" content=\"Galleria Fumagalli\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/GalleriaFumagalli\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-03-29T13:46:10+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-07-18T12:57:01+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/galleriafumagalli.com\/wp-content\/uploads\/2019\/05\/Copertina_Kenneth-Noland-Whitney-Museum-2019.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"550\" \/>\n\t<meta property=\"og:image:height\" content=\"330\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/news-en\\\/spilling-over-painting-color-in-the-1960s-kenneth-noland\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/news-en\\\/spilling-over-painting-color-in-the-1960s-kenneth-noland\\\/\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/galleriafumagalli.com\\\/en\\\/#\\\/schema\\\/person\\\/56874f0829c7b9218ce2dab85a3f3496\"},\"headline\":\"SPILLING OVER: PAINTING COLOR IN THE 1960s &#8211; 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