{"id":183557,"date":"2021-01-11T15:40:35","date_gmt":"2021-01-11T14:40:35","guid":{"rendered":"https:\/\/vps124721.inmotionhosting.com\/?p=183557"},"modified":"2022-12-02T15:53:53","modified_gmt":"2022-12-02T14:53:53","slug":"my30years","status":"publish","type":"post","link":"https:\/\/galleriafumagalli.com\/en\/exhibitions\/my30years\/","title":{"rendered":"MY30YEARS"},"content":{"rendered":"[vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” content_placement=”middle” bg_color=”#ffffff” scene_position=”center” text_color=”dark” text_align=”left” translate_y=”-50″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/3″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”]
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\nCoherency in Diversity” font_container=”tag:h1|font_size:40|text_align:left” use_theme_fonts=”yes” css_animation=”fadeIn” css=”.vc_custom_1669992551525{margin-bottom: 10px !important;}”][\/vc_column_inner][\/vc_row_inner]
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<\/div><\/div>[vc_custom_heading text=”8 exhibitions | 12 artists” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”]
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\"\"<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”3%” bottom_padding=”7%” translate_x=”-69″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+VGV4dDwvcD4=[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Galleria Fumagalli, historical art venue founded in 1971 in Bergamo and co-directed since 1991 by Stefano Fumagalli and Annamaria Maggi, who was appointed as sole director in 2007, relives its latest thirty years in 2021 presenting a special program of initiatives. Annamaria Maggi has invited L\u00f3r\u00e1nd Hegyi \u2013 Hungarian art historian, writer and curator, who has directed major European museums over the years \u2013 to conceive a series of exhibitions. \u00abThe exhibition project designed by L\u00f3r\u00e1nd Hegyi for Galleria Fumagalli will be truly unique and original: no intent to summarize the past, but instead the will to inspire dialogues and generational comparisons that may activate new ways of reading and sensitise the audience to new visions\u00bb Annamaria Maggi.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Speaking of the exhibitions, the curator explains: \u00abThe project is focusing on Annamaria Maggi’s thirty-year work at Galleria Fumagalli while intending to emphasize some significant elements of the gallery\u2019s aesthetic orientation and its coherent vision of art. It is not our intention to give neither a summary-like presentation of the past thirty years, nor any chronologically structured, philologically elaborated documentation about Galleria Fumagalli\u2019s activity. Contrary to any form of historization, the project intends to signalize Annamaria\u2019s solid, profound engagement for certain aesthetical values based on authenticity, empathy, sensibility and her believe that art can reflect the wholeness of human experiences\u00bb.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

The series of 8 exhibitions involves 12 artists, followed or represented by Galleria Fumagalli, which belong to different generations and geographical contexts and follow different approaches, yet offer converging aesthetic and conceptual ideas.
\nEach exhibition jointly presents the work of 3 artists, in a close comparison on some specific themes. Each artist is doubly involved in the series, finding themselves in dialogue with different artists each time.<\/p>\n

View press release \u2192<\/span><\/a><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”8%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Text[\/vc_column_text]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”3%” bottom_padding=”7%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Galleria Fumagalli, historical art venue founded in 1971 in Bergamo and co-directed since 1991 by Stefano Fumagalli and Annamaria Maggi, who was appointed as sole director in 2007, relives its latest thirty years in 2021 presenting a special program of initiatives. Annamaria Maggi has invited L\u00f3r\u00e1nd Hegyi \u2013 Hungarian art historian, writer and curator, who has directed major European museums over the years \u2013 to conceive a series of exhibitions. \u00abThe exhibition project designed by L\u00f3r\u00e1nd Hegyi for Galleria Fumagalli will be truly unique and original: no intent to summarize the past, but instead the will to inspire dialogues and generational comparisons that may activate new ways of reading and sensitise the audience to new visions\u00bb Annamaria Maggi.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Speaking of the exhibitions, the curator explains: \u00abThe project is focusing on Annamaria Maggi’s thirty-year work at Galleria Fumagalli while intending to emphasize some significant elements of the gallery\u2019s aesthetic orientation and its coherent vision of art. It is not our intention to give neither a summary-like presentation of the past thirty years, nor any chronologically structured, philologically elaborated documentation about Galleria Fumagalli\u2019s activity. Contrary to any form of historization, the project intends to signalize Annamaria\u2019s solid, profound engagement for certain aesthetical values based on authenticity, empathy, sensibility and her believe that art can reflect the wholeness of human experiences\u00bb.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

The series of 8 exhibitions involves 12 artists, followed or represented by Galleria Fumagalli, which belong to different generations and geographical contexts and follow different approaches, yet offer converging aesthetic and conceptual ideas.
\nEach exhibition jointly presents the work of 3 artists, in a close comparison on some specific themes. Each artist is doubly involved in the series, finding themselves in dialogue with different artists each time.<\/p>\n

View press release \u2192<\/span><\/a><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”3%” bottom_padding=”7%” translate_x=”-69″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+RXhoaWJpdGlvbnM8L3A+[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]\t\t\t

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SPACES AS PLACES AS STAGES<\/a><\/h3>\t\r\n\t\t\t\t\t\t\t\tadmin<\/a> <\/span> | exhibitions MY30YEARS<\/a>, Exhibitions<\/a>, Enrico Castellani<\/a>, Jannis Kounellis<\/a>, Chiara Lecca<\/a> <\/span> | \r\n\t\t\t\t\t\t\t\t8 Comments<\/a> <\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
26 October to 20 December, 2023<\/div>\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t
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ALLARGAMENTO DELLA REFERENZIALIT\u00c0<\/a><\/h3>\t\r\n\t\t\t\t\t\t\t\tadmin<\/a> <\/span> | exhibitions MY30YEARS<\/a>, Exhibitions<\/a>, Maurizio Nannucci<\/a>, Maria Elisabetta Novello<\/a>, Marco Tirelli<\/a> <\/span> | \r\n\t\t\t\t\t\t\t\t5 Comments<\/a> <\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
17 May to 28 July, 2023<\/div>\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t
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QUESTIONING THE FUNCTIONALITY<\/a><\/h3>\t\r\n\t\t\t\t\t\t\t\tadmin<\/a> <\/span> | exhibitions MY30YEARS<\/a>, Exhibitions<\/a>, Mattia Bosco<\/a>, Chiara Lecca<\/a>, Dennis Oppenheim<\/a> <\/span> | \r\n\t\t\t\t\t\t\t\t8 Comments<\/a> <\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
7 October to 2 December, 2022<\/div>\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t
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AMBIGUITY OF THE OBJECTS<\/a><\/h3>\t\r\n\t\t\t\t\t\t\t\tadmin<\/a> <\/span> | exhibitions MY30YEARS<\/a>, Exhibitions<\/a>, Thorsten Brinkmann<\/a>, Giuseppe Uncini<\/a>, Peter Wuethrich<\/a> <\/span> | \r\n\t\t\t\t\t\t\t\t8 Comments<\/a> <\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
19 May to 29 July, 2022<\/div>\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t
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CONCRETEZZA DELL’ESSENZIALIT\u00c0<\/a><\/h3>\t\r\n\t\t\t\t\t\t\t\tadmin<\/a> <\/span> | exhibitions MY30YEARS<\/a>, Exhibitions<\/a>, Mattia Bosco<\/a>, Jannis Kounellis<\/a>, Maria Elisabetta Novello<\/a> <\/span> | \r\n\t\t\t\t\t\t\t\t9 Comments<\/a> <\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
16 February to 29 April, 2022<\/div>\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t
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IRONIA \u2013 TEMPORALIT\u00c0 \u2013 D\u00c9PLACEMENT<\/a><\/h3>\t\r\n\t\t\t\t\t\t\t\tadmin<\/a> <\/span> | exhibitions MY30YEARS<\/a>, Exhibitions<\/a>, Thorsten Brinkmann<\/a>, Dennis Oppenheim<\/a>, Anne & Patrick Poirier<\/a> <\/span> | \r\n\t\t\t\t\t\t\t\t5 Comments<\/a> <\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
17 November, 2021 to 4 February, 2022<\/div>\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t
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SISTEMA \u2013 DEMATERIALIZZAZIONE \u2013 TESTO<\/a><\/h3>\t\r\n\t\t\t\t\t\t\t\tadmin<\/a> <\/span> | exhibitions MY30YEARS<\/a>, Exhibitions<\/a>, Enrico Castellani<\/a>, Maurizio Nannucci<\/a>, Peter Wuethrich<\/a> <\/span> | \r\n\t\t\t\t\t\t\t\t7 Comments<\/a> <\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
8 September to 12 November, 2021<\/div>\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t<\/div>\r\n\t\t\r\n\t\t[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”8%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Exhibitions[\/vc_column_text]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” top_padding=”3%” bottom_padding=”7%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]\t\t\t
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SPACES AS PLACES AS STAGES<\/a><\/h3>\t\r\n\t\t\t\t\t\t\t\tadmin<\/a> <\/span> | exhibitions MY30YEARS<\/a>, Exhibitions<\/a>, Enrico Castellani<\/a>, Jannis Kounellis<\/a>, Chiara Lecca<\/a> <\/span> | \r\n\t\t\t\t\t\t\t\t8 Comments<\/a> <\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
26 October to 20 December, 2023<\/div>\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t
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ALLARGAMENTO DELLA REFERENZIALIT\u00c0<\/a><\/h3>\t\r\n\t\t\t\t\t\t\t\tadmin<\/a> <\/span> | exhibitions MY30YEARS<\/a>, Exhibitions<\/a>, Maurizio Nannucci<\/a>, Maria Elisabetta Novello<\/a>, Marco Tirelli<\/a> <\/span> | \r\n\t\t\t\t\t\t\t\t5 Comments<\/a> <\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
17 May to 28 July, 2023<\/div>\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t
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QUESTIONING THE FUNCTIONALITY<\/a><\/h3>\t\r\n\t\t\t\t\t\t\t\tadmin<\/a> <\/span> | exhibitions MY30YEARS<\/a>, Exhibitions<\/a>, Mattia Bosco<\/a>, Chiara Lecca<\/a>, Dennis Oppenheim<\/a> <\/span> | \r\n\t\t\t\t\t\t\t\t8 Comments<\/a> <\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
7 October to 2 December, 2022<\/div>\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t
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AMBIGUITY OF THE OBJECTS<\/a><\/h3>\t\r\n\t\t\t\t\t\t\t\tadmin<\/a> <\/span> | exhibitions MY30YEARS<\/a>, Exhibitions<\/a>, Thorsten Brinkmann<\/a>, Giuseppe Uncini<\/a>, Peter Wuethrich<\/a> <\/span> | \r\n\t\t\t\t\t\t\t\t8 Comments<\/a> <\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
19 May to 29 July, 2022<\/div>\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t
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CONCRETEZZA DELL’ESSENZIALIT\u00c0<\/a><\/h3>\t\r\n\t\t\t\t\t\t\t\tadmin<\/a> <\/span> | exhibitions MY30YEARS<\/a>, Exhibitions<\/a>, Mattia Bosco<\/a>, Jannis Kounellis<\/a>, Maria Elisabetta Novello<\/a> <\/span> | \r\n\t\t\t\t\t\t\t\t9 Comments<\/a> <\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
16 February to 29 April, 2022<\/div>\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t
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IRONIA \u2013 TEMPORALIT\u00c0 \u2013 D\u00c9PLACEMENT<\/a><\/h3>\t\r\n\t\t\t\t\t\t\t\tadmin<\/a> <\/span> | exhibitions MY30YEARS<\/a>, Exhibitions<\/a>, Thorsten Brinkmann<\/a>, Dennis Oppenheim<\/a>, Anne & Patrick Poirier<\/a> <\/span> | \r\n\t\t\t\t\t\t\t\t5 Comments<\/a> <\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
17 November, 2021 to 4 February, 2022<\/div>\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t
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SISTEMA \u2013 DEMATERIALIZZAZIONE \u2013 TESTO<\/a><\/h3>\t\r\n\t\t\t\t\t\t\t\tadmin<\/a> <\/span> | exhibitions MY30YEARS<\/a>, Exhibitions<\/a>, Enrico Castellani<\/a>, Maurizio Nannucci<\/a>, Peter Wuethrich<\/a> <\/span> | \r\n\t\t\t\t\t\t\t\t7 Comments<\/a> <\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t
8 September to 12 November, 2021<\/div>\t\t\t\t\t\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t<\/div>\r\n\t\t\r\n\t\t[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” translate_x=”-69″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+UHJlc3M8L3A+[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]exibart.com
\n<\/strong><\/p>\n

25 September 2021
\n“Come si cambia. Intervista ad Annamaria Maggi”<\/p>\n

Read the Article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Segno
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March-April 2021
\n“Annamaria Maggi. MY30YEARS”<\/p>\n

Read the Article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Il Giornale dell’Arte
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March 2021
\n“Terzetti per un trentennale”<\/p>\n

Read the Article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”]

<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]artribune.com
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28 February, 2021
\n“La storica Galleria Fumagalli fa 30 anni. Intervista ad Annamaria Maggi”<\/p>\n

Read the Article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]magazine.artland.com
\n<\/strong><\/p>\n

20 February, 2021
\n“Art Curator Interview: Annamaria Maggi. 30 Years with Galleria Fumagalli”<\/p>\n

Read the Article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Arte
\n<\/strong><\/p>\n

February 2021
\n“30 anni di sperimentazioni”<\/p>\n

Read the Article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” disable_element=”yes” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

MOBILE<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Press[\/vc_column_text]

<\/div><\/div>[\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]exibart.com
\n<\/strong><\/p>\n

25 September 2021
\n“Come si cambia. Intervista ad Annamaria Maggi”<\/p>\n

Read the Article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Segno
\n<\/strong><\/p>\n

March-April 2021
\n“Annamaria Maggi. MY30YEARS”<\/p>\n

Read the Article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Il Giornale dell’Arte
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March 2021
\n“Terzetti per un trentennale”<\/p>\n

Read the Article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]artribune.com
\n<\/strong><\/p>\n

28 February, 2021
\n“La storica Galleria Fumagalli fa 30 anni. Intervista ad Annamaria Maggi”<\/p>\n

Read the Article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]magazine.artland.com
\n<\/strong><\/p>\n

20 February, 2021
\n“Art Curator Interview: Annamaria Maggi. 30 Years with Galleria Fumagalli”<\/p>\n

Read the Article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/3″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Arte
\n<\/strong><\/p>\n

February 2021
\n“30 anni di sperimentazioni”<\/p>\n

Read the Article\u00a0 \u2192<\/span><\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” equal_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” bottom_padding=”7%” translate_x=”-61″ class=”vc_hidden-sm vc_hidden-xs” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-3-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” el_class=”verticalborder” width=”1\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_color=”#000000″ column_border_style=”solid”][vc_raw_html]PHAgY2xhc3M9InZlcnRpY2FsaGVhZCI+SW50ZXJ2aWV3PC9wPg==[\/vc_raw_html][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”11\/12″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”padding-4-percent” column_padding_position=”left-right” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”4\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][vc_raw_html]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[\/vc_raw_html][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/6″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_content” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” class=”vc_hidden-lg vc_hidden-md” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]Interview[\/vc_column_text]

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2021 \u2013 2023<\/p>\n","protected":false},"author":1,"featured_media":183922,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[155],"tags":[],"class_list":{"0":"post-183557","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-exhibitions"},"yoast_head":"\nMY30YEARS | Galleria Fumagalli - Galleria d'arte contemporanea Milano<\/title>\n<meta name=\"description\" content=\"Galleria Fumagalli, contemporary art founded in 1971 in Bergamo, relives its latest thirty years in 2021 presenting a special program of initiatives.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galleriafumagalli.com\/en\/exhibitions\/my30years\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MY30YEARS | Galleria Fumagalli - 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