CHIARA DYNYS
DUALE
4 October to 9 November 2013
CHIARA DYNYS
DUALE
4 October to 9 November 2013

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Galleria Fumagalli and Spazioborgogno present “Duale” by Chiara Dynys. The exhibition composed by three videos, one sculpture and fifteen pictures made of lens. It takes its title from the verbal form of the ancient greek that presents, in addition to single and plural, a particular form destined to a relationship of two (persons, things or situations). Two is the theme, that speedily arrives to the idea of “double”, and consequentially to idea of “doubling”, linked paradoxically to the theme of solitude.
The incommunicability, the schizophrenic attitude, the obstinacy of remaining in static positions are manifested in the relation of two, of “dual”, more than in a relation with a multitude or in the solitude. In addition, it can be better manifested in the relationship between objects more than between people: that is why the parallel world of things is the protagonist of Chiara Dynys’ sculpture and lens-works, while people are absent.
In the same way the “connecting vases”, subject of artist’s sculpture, are indeed “not-connecting”. Only in the video, where it is registered Gregory Peck’s imitation in the film “Mody Dick”, declined in Italian and English by the young neapolitan actor Roberto Mascia, the voice and the human postures are the protagonists. However it is underlined the difficulty of the relationship with the reality, and the choice of an unreal mimicry that has a lot to share with the schizophrenic attitude.
Text
Galleria Fumagalli and Spazioborgogno present “Duale” by Chiara Dynys. The exhibition composed by three videos, one sculpture and fifteen pictures made of lens. It takes its title from the verbal form of the ancient greek that presents, in addition to single and plural, a particular form destined to a relationship of two (persons, things or situations). Two is the theme, that speedily arrives to the idea of “double”, and consequentially to idea of “doubling”, linked paradoxically to the theme of solitude.
The incommunicability, the schizophrenic attitude, the obstinacy of remaining in static positions are manifested in the relation of two, of “dual”, more than in a relation with a multitude or in the solitude. In addition, it can be better manifested in the relationship between objects more than between people: that is why the parallel world of things is the protagonist of Chiara Dynys’ sculpture and lens-works, while people are absent.
In the same way the “connecting vases”, subject of artist’s sculpture, are indeed “not-connecting”. Only in the video, where it is registered Gregory Peck’s imitation in the film “Mody Dick”, declined in Italian and English by the young neapolitan actor Roberto Mascia, the voice and the human postures are the protagonists. However it is underlined the difficulty of the relationship with the reality, and the choice of an unreal mimicry that has a lot to share with the schizophrenic attitude.
Installation views
Installation views


Der „film-dienst“ zeigt sich von den „virtuosen filmischen Einfällen“ und der „unmelodramatischen Genauigkeit“ beeindruckt.
Dank dieser Tugenden wählt die Italomafia ihn aus,
ihr Vorzeigecasino, das Tangiers in Las Vegas, zu leiten – obwohl er kein Italiener
ist. Martin Scorseses „Casino“ aus dem Jahr 1995
ist ein Meisterwerk des Gangsterfilms und hat einen bleibenden Eindruck
in der Filmgeschichte hinterlassen. Insgesamt ist „Casino“ ein wichtiger Film in der Karriere von Martin Scorsese und ein Meisterwerk des Gangsterfilms.
„Casino“ war die achte Zusammenarbeit zwischen Robert De Niro und Martin Scorsese und zugleich der dritte von bislang vier Mafiafilmen von Scorsese.
Martin Scorsese’s „Casino“ ist ein Kriminalfilm-Drama aus dem Jahr 1995,
das auf dem gleichnamigen Buch von Martin Scorsese und Nicholas Pileggi basiert.
Zusammen mit seinen Kollegen taucht eine überragende Präsenz und
Ausdrucksfähigkeit auf der Leinwand auf. Kevin Pollak zeigt den Zuschauern Philip Green.
Für regelmäßige Besucher von Las Vegas gibt es im gesamten Film
eine Reihe weiterer erkennbarer Orte. Scorcese und De Niro hatten vor Casino bereits sieben Mal zusammengearbeitet, so dass dies ein Kinderspiel war.
Trotz des Mangels an Auszeichnungen war die Leistung der gesamten Besetzung atemberaubend.
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