Chiara Lecca

By 27 June 2019 Artists

CHIARA LECCA

CHIARA LECCA

Biography

Chiara Lecca was born in 1977 in Modigliana (province of Forlì-Cesena, IT) where she lives and works. She grew up closely to nature and animals in the family farm. Of those years, marked by strong discoveries, she kept precious memories that largely define her artistic work, which is mainly expressed in installations and sculptures, also experimenting with photography and video art. Graduated at the Academy of Fine Arts in Bologna, her research focuses on the attempt of studying and highlighting the gap between nature and human being, particularly urgent in the contemporary society, and the inherent contradiction in the collective behavior that escapes its instinctive nature – in contrast to its rational one – as well as the idea of ​​death. Adopting animal derivates, her works stimulate a process of ambiguous semiotic turn. Taxidermy rabbit ears, hides and furs, bovine and swine bladders take on new forms where nature interacts with industrial and architectural components, represented by the materials coming from the productive chain, such as wood, ceramic, polyurethane and synthetic resin.
In 2020 Chiara Lecca founded the Collettivo Clarulecis to explore nature by observing it through a transversal point of view, opening up to new contaminations and transpositions of meaning. Each practice born within this context is aimed at recovering direct contact with the human habitat, be it urban or rural.

In 2016 she was selected among the finalists of the XVII Cairo Prize and exhibited at Palazzo Reale, Milan. Her artworks have been exhibited in various institutions in Italy and Europe: in 2019 she was artist in residence at MACRO Asilo in Rome, in 2018 at the Italian Cultural Institute in Madrid, in 2012 in the county Kassel for EUARCA – International European Art Camp, and in 2008 at the Fondazione Spinola Banna per l’Arte Art, in Turin.
Solo exhibitions were held in institutions such as: ex Chiesa di San Rocco, Modigliana (2021); Museo Carlo Zauli, Faenza (2017); Collezioni Comunali D’Arte – Palazzo D’Accursio, Bologna (2017); Ghisla Art Collection Foundation, Locarno (2016); Naturkundemuseum Ottoneum, Kassel (2015); Villa Rusconi, Castano Primo, Milan (2013); MAR – Museum of City Art, Ravenna (2010); Kunst Meran, Merano (2009).
Chiara Lecca also took part in group exhibitions in institutions such as: MAN Museo, Nuoro (2024); Palazzo San Giacomo, Russi, Ravenna (2022); Galleria d’Arte Contemporanea “Vero Stoppioni”, Santa Sofia (2019); Museo Civico Varoli, Cotignola (2019); Vestfossen Kunstlaboratorium, Oslo (2018); Schloss Ambras, Innsbruck (2017); Palazzo Reale, Milan (2016); Museum Schloss Moyland, Bedburg-Hau (2016); Museo Poldi Pezzoli, Milan (2013); Gallerie d’Italia, Milan (2013); International Museum of Ceramics, Faenza (2012); Spazio Thetis, Venice (2011); PROGR Zentrum für Kulturproduktion, Bern (2008).

The artist has been collaborating with Galleria Fumagalli since 2008. In the very same year her solo exhibition “Del maiale non si butta niente” was held at the former gallery in Bergamo, followed, in 2010, by the catalog “Quintoquarto” with texts by Martina Cavallarin and Valerio Dehò. The gallery also promoted the publication of the monograph “Quod Paret”, published on the occasion of her solo show at Naturkundemuseum Ottoneum, Kassel, in 2015. In 2017 Chiara Lecca was involved in the group show “Switch On 3”, and in 2022 her works were exhibited in the sixth exhibition (“Questioning the Functionality”) in the series “MY30YEARS – Coherency in Diversity”, entirely curated by Lóránd Hegyi. In 2023, during the Milano Design Week, she set up an exhibition at the venue in collaboration with the Collettivo Clarulecis, and in 2024, during the same week, she participated in the exhibition “Il Salotto Buono Cattivo” within the program LOFT – Light On Future Topics by Galleria Fumagalli.

Read the CV →

Biography

Chiara Lecca was born in 1977 in Modigliana (province of Forlì-Cesena, IT) where she lives and works. She grew up closely to nature and animals in the family farm. Of those years, marked by strong discoveries, she kept precious memories that largely define her artistic work, which is mainly expressed in installations and sculptures, also experimenting with photography and video art. Graduated at the Academy of Fine Arts in Bologna, her research focuses on the attempt of studying and highlighting the gap between nature and human being, particularly urgent in the contemporary society, and the inherent contradiction in the collective behavior that escapes its instinctive nature – in contrast to its rational one – as well as the idea of ​​death. Adopting animal derivates, her works stimulate a process of ambiguous semiotic turn. Taxidermy rabbit ears, hides and furs, bovine and swine bladders take on new forms where nature interacts with industrial and architectural components, represented by the materials coming from the productive chain, such as wood, ceramic, polyurethane and synthetic resin.
In 2020 Chiara Lecca founded the Collettivo Clarulecis to explore nature by observing it through a transversal point of view, opening up to new contaminations and transpositions of meaning. Each practice born within this context is aimed at recovering direct contact with the human habitat, be it urban or rural.

In 2016 she was selected among the finalists of the XVII Cairo Prize and exhibited at Palazzo Reale, Milan. Her artworks have been exhibited in various institutions in Italy and Europe: in 2019 she was artist in residence at MACRO Asilo in Rome, in 2018 at the Italian Cultural Institute in Madrid, in 2012 in the county Kassel for EUARCA – International European Art Camp, and in 2008 at the Fondazione Spinola Banna per l’Arte Art, in Turin.
Solo exhibitions were held in institutions such as: ex Chiesa di San Rocco, Modigliana (2021); Museo Carlo Zauli, Faenza (2017); Collezioni Comunali D’Arte – Palazzo D’Accursio, Bologna (2017); Ghisla Art Collection Foundation, Locarno (2016); Naturkundemuseum Ottoneum, Kassel (2015); Villa Rusconi, Castano Primo, Milan (2013); MAR – Museum of City Art, Ravenna (2010); Kunst Meran, Merano (2009).
Chiara Lecca also took part in group exhibitions in institutions such as: MAN Museo, Nuoro (2024); Palazzo San Giacomo, Russi, Ravenna (2022); Galleria d’Arte Contemporanea “Vero Stoppioni”, Santa Sofia (2019); Museo Civico Varoli, Cotignola (2019); Vestfossen Kunstlaboratorium, Oslo (2018); Schloss Ambras, Innsbruck (2017); Palazzo Reale, Milan (2016); Museum Schloss Moyland, Bedburg-Hau (2016); Museo Poldi Pezzoli, Milan (2013); Gallerie d’Italia, Milan (2013); International Museum of Ceramics, Faenza (2012); Spazio Thetis, Venice (2011); PROGR Zentrum für Kulturproduktion, Bern (2008).

The artist has been collaborating with Galleria Fumagalli since 2008. In the very same year her solo exhibition “Del maiale non si butta niente” was held at the former gallery in Bergamo, followed, in 2010, by the catalog “Quintoquarto” with texts by Martina Cavallarin and Valerio Dehò. The gallery also promoted the publication of the monograph “Quod Paret”, published on the occasion of her solo show at Naturkundemuseum Ottoneum, Kassel, in 2015. In 2017 Chiara Lecca was involved in the group show “Switch On 3”, and in 2022 her works were exhibited in the sixth exhibition (“Questioning the Functionality”) in the series “MY30YEARS – Coherency in Diversity”, entirely curated by Lóránd Hegyi. In 2023, during the Milano Design Week, she set up an exhibition at the venue in collaboration with the Collettivo Clarulecis, and in 2024, during the same week, she participated in the exhibition “Il Salotto Buono Cattivo” within the program LOFT – Light On Future Topics by Galleria Fumagalli.

Read the CV →

Works

Chiara Lecca, Che razza di porco sei? (blister), 2004. Tassidermia, PVC, metallo, tessuto, stampa su carta, 23x50x40 cm
Chiara Lecca, Che razza di porco sei? (blister), 2004
Taxidermy, PVC, metal, fabric, print on paper, 23x50x40 cm
Chiara Lecca, Moths and butterflies, 2008. Stampa a getto d'inchiostro su carta cotone Hahnemuhle, cartoncino a collage, 64x94x4 cm
Chiara Lecca, Moths and butterflies, 2008
Inkjet print on Hahnemuhle paper, cardboard, 64x94x4 cm
Chiara Lecca, Moths and butterflies, 2008. Stampa a getto d'inchiostro su carta cotone Hahnemuhle, cartoncino a collage, 104x84x4 cm
Chiara Lecca, Moths and butterflies, 2008
Inkjet print on Hahnemuhle paper, cardboard, 104x84x4 cm
Chiara Lecca, Winter landscape #3, 2007.  Resina, tassidermia, ossa, sale, polvere di pietre dure, 60x120x50 cm
Chiara Lecca, Winter landscape #3, 2007
Resin, taxidermy, bones, salt, stone dust, 60x120x50 cm
Chiara Lecca, White Shearling, 2010. Cappotti di montone, struttura metallica, PVC, 130x50x200 cm
Chiara Lecca, White Shearling, 2010
Ram coats, metal structure, PVC, 130x50x200 cm
Chiara Lecca, Coypu, 2010. Pelliccia, PVC, lame in acciaio, 53x30x110 cm
Chiara Lecca, Coypu, 2010
Fur, PVC, steel blades, 53x30x110 cm
Chiara Lecca, Red rabbit, 2010. Pelliccia, PVC, 80x30x50 cm
Chiara Lecca, Red rabbit, 2010
Fur, PVC, 80x30x50 cm
Chiara Lecca, Misses (Fiorenza, Patrizia, Roberta, Carlotta, Irene), 2010. Tassidermia, metallo, elastici, dimensioni variabili
Chiara Lecca, Misses (Fiorenza, Patrizia, Roberta, Carlotta, Irene), 2010
Taxidermy, metal, rubber bands, variable dimensions
Chiara Lecca, Bigbubble #5, 2012. Vescica animale, metallo, resina sintetica, 31x17x17 cm
Chiara Lecca, Bigbubble #5, 2012
Animal bladder, metal, synthetic resin, 31x17x17 cm
Chiara Lecca, Blackbigbubble #3, 2012. Vescica animale, metallo, poliuretano, vernice acrilica, 65x22x22 cm
Chiara Lecca, Blackbigbubble #3, 2012
Animal bladder, metal, polyurethane, acrylic paint, 65x22x22 cm
Chiara Lecca, Black belly #1, 2013. Ceramica, 63x26x22 cm
Chiara Lecca, Black belly #1, 2013
Ceramic, 63x26x22 cm
Chiara Lecca, White belly #2, 2013. Ceramica, 58,5x19x19 cm
Chiara Lecca, White belly #2, 2013
Ceramic, 58,5x19x19 cm
Chiara Lecca, Fake Marble, 2013. Vescica animale, vetro, dimensioni variabili
Chiara Lecca, Fake Marble, 2013
Animal bladder, glass, variable dimensions
Chiara Lecca, Golden Still Life, 2016. Tassidermia, PVC, ceramica, legno, 180x200x120 cm
Chiara Lecca, Golden Still Life, 2016
Taxidermy, PVC, ceramic, wood, 180x200x120 cm
Chiara Lecca, Dark Still Life, 2016. Tassidermia, PVC, ceramica, legno, marmo, vetro, 170x200x110 cm
Chiara Lecca, Dark Still Life, 2016
Taxidermy, PVC, ceramic, wood, marble, glass, 170x200x110 cm
Chiara Lecca, Fenders (Frontale #5), 2016. parabrezza, parafango, pelli di pecora, 200x150x25 cm
Chiara Lecca, Fenders (Frontale #5), 2016
Windshield, fender, sheep fur, 200x150x25 cm
Chiara Lecca, Masks, 2016. Vetro, pelli animali, 4 elementi
Chiara Lecca, Masks, 2016
Glass, fur, 4 elements
Chiara Lecca, Lapped Rocks, 2017. Blocchi di sale minerale, saliva animale, 90x72x72 cm
Chiara Lecca, Lapped Rocks, 2017
Mineral salt blocks, animal saliva, 90x72x72 cm
Chiara Lecca, Golden Domestic Economy, 2016. Tassidermia, PVC, metallo, tessuto, vetro, dimensioni varie
Chiara Lecca, Golden Domestic Economy, 2016
Taxidermy, PVC, metal, fabric, glass, variable dimensions
Chiara Lecca, Silver Sharp Pulp, 2018. Smalti su terracotta, metallo, pelli, 150x40x40 cm
Chiara Lecca, Silver Sharp Pulp, 2018
Enamel on ceramic, metal, fur, 150x40x40 cm
Chiara Lecca, Vermilion Sharp Pulp, 2018. Terracotta, cuoio, metallo, spago, 170x60x60 cm
Chiara Lecca, Vermilion Sharp Pulp, 2018
Ceramic, leather, metal, twine, 170x60x60 cm
Chiara Lecca, White Sharp Pulp, 2018. Terracotta, cuoio, metallo, spago, 160x50x50 cm
Chiara Lecca, White Sharp Pulp, 2018
Ceramic, leather, metal, twine, 160x50x50 cm
Chiara Lecca, Black Cave, 2023
Chiara Lecca, Black Cave, 2023
Alpiwood, natural hair, 120x42x65 cm

Works

Chiara Lecca, Che razza di porco sei? (blister), 2004. Taxidermy, PVC, metal, fabric, print on paper, 23x50x40 cm

Chiara Lecca, Che razza di porco sei? (blister), 2004. Taxidermy, PVC, metal, fabric, print on paper

Chiara Lecca, Moths and butterflies, 2008. Inkjet print on Hahnemuhle paper, cardboard, 64x94x4 cm

Chiara Lecca, Moths and butterflies, 2008. Inkjet print on Hahnemuhle paper, cardboard, 64x94x4 cm

Chiara Lecca, Moths and butterflies, 2008. Inkjet print on Hahnemuhle paper, cardboard, 104x84x4 cm

Chiara Lecca, Moths and butterflies, 2008. Inkjet print on Hahnemuhle paper, cardboard, 104x84x4 cm

Chiara Lecca, Winter landscape #3, 2007. Resin, taxidermy, bones, salt, stone dust, 60x120x50 cm

Chiara Lecca, Winter landscape #3, 2007. Resin, taxidermy, bones, salt, stone dust, 60x120x50 cm

Chiara Lecca, White Shearling, 2010. Ram coats, metal structure, PVC, 130x50x200 cm

Chiara Lecca, White Shearling, 2010. Ram coats, metal structure, PVC, 130x50x200 cm

Chiara Lecca, Coypu, 2010. Fur, PVC, steel blades, 53x30x110 cm

Chiara Lecca, Coypu, 2010. Fur, PVC, steel blades, 53x30x110 cm

Chiara Lecca, Red rabbit, 2010. Fur, PVC, 80x30x50 cm

Chiara Lecca, Red rabbit, 2010. Fur, PVC, 80x30x50 cm

Chiara Lecca, Misses (Fiorenza, Patrizia, Roberta, Carlotta, Irene), 2010. Taxidermy, metal, rubber bands, variable dimensions

Chiara Lecca, Misses (Fiorenza, Patrizia, Roberta, Carlotta, Irene), 2010. Taxidermy, metal, rubber

Chiara Lecca, Bigbubble #5, 2012. Animal bladder, metal, synthetic resin, 31x17x17 cm

Chiara Lecca, Bigbubble #5, 2012. Animal bladder, metal, synthetic resin, 31x17x17 cm

Chiara Lecca, Blackbigbubble #3, 2012. Animal bladder, metal, polyurethane, acrylic paint, 65x22x22 cm

Chiara Lecca, Blackbigbubble #3, 2012. Animal bladder, metal, polyurethane, acrylic paint, 65x22x22

Chiara Lecca, Black belly #1, 2013. Ceramic, 63x26x22 cm

Chiara Lecca, Black belly #1, 2013. Ceramic, 63x26x22 cm

Chiara Lecca, White belly #2, 2013. Ceramic, 58,5x19x19 cm

Chiara Lecca, White belly #2, 2013. Ceramic, 58,5x19x19 cm

Chiara Lecca, Fake Marble, 2013. Animal bladder, glass, variable dimensions

Chiara Lecca, Fake Marble, 2013. Animal bladder, glass, variable dimensions

Chiara Lecca, Golden Still Life, 2016. Taxidermy, PVC, ceramic, wood, 180x200x120 cm

Chiara Lecca, Golden Still Life, 2016. Taxidermy, PVC, ceramic, wood, 180x200x120 cm

Chiara Lecca, Dark Still Life, 2016. Taxidermy, PVC, ceramic, wood, marble, glass, 170x200x110 cm

Chiara Lecca, Dark Still Life, 2016. Taxidermy, PVC, ceramic, wood, marble, glass, 170x200x110 cm

Chiara Lecca, Fenders (Frontale #5), 2016. Windshield, fender, sheep fur, 200x150x25 cm

Chiara Lecca, Fenders (Frontale #5), 2016. Windshield, fender, sheep fur, 200x150x25 cm

Chiara Lecca, Masks, 2016. Glass, fur, 4 elements

Chiara Lecca, Masks, 2016. Glass, fur, 4 elements

Chiara Lecca, Lapped Rocks, 2017. Mineral salt blocks, animal saliva, 90x72x72 cm

Chiara Lecca, Lapped Rocks, 2017. Mineral salt blocks, animal saliva, 90x72x72 cm

Chiara Lecca, Golden Domestic Economy, 2016. Taxidermy, PVC, metal, fabric, glass, variable dimensions

Chiara Lecca, Golden Domestic Economy, 2016. Taxidermy, PVC, metal, fabric, glass, variable dimensio

Chiara Lecca, Silver Sharp Pulp, 2018. Enamel on ceramic, metal, fur, 150x40x40 cm

Chiara Lecca, Silver Sharp Pulp, 2018. Enamel on ceramic, metal, fur, 150x40x40 cm

Chiara Lecca, Vermilion Sharp Pulp, 2018. Ceramic, leather, metal, twine, 170x60x60 cm

Chiara Lecca, Vermilion Sharp Pulp, 2018. Ceramic, leather, metal, twine, 170x60x60 cm

Chiara Lecca, White Sharp Pulp, 2018. Ceramic, leather, metal, twine, 160x50x50 cm

Chiara Lecca, White Sharp Pulp, 2018. Ceramic, leather, metal, twine, 160x50x50 cm

Chiara Lecca, Black Cave, 2023. Alpiwood, natural hair, 120x42x65 cm

Chiara Lecca, Black Cave, 2023. Alpiwood, natural hair, 120x42x65 cm

Press

exibart.com

28 August 2020
“Chiara Lecca: Clarulecis e lo studio a cielo aperto

Read the article  →

artribune.com

21 August 2020
“Uno studio d’artista nel cuore di un bosco. Clarulecis, il progetto di Chiara Lecca”

Read the article  →

Arte

May 2019
“Chiara Lecca indaga il limite sottile tra inganno e realtà”

Read the article  →

Exibart

November 2017
“222 artisti emergenti su cui investire”

Read the article  →

Arte

July 2017
“Le sorprese che riserva la scultura di Chiara Lecca”

Read the article  →

Corriere di Bologna

19 January 2017
“A fior di pelle, i totem di Chiara Lecca”

Read the article  →

Il resto del Carlino

19 January 2017
“Lecca, nature morte e brividi A fior di pelle”

Read the article  →

Arte

May 2015
“Cortocircuiti, la verità nella finzione”

Read the article  →

Arte

December 2008
“Horror con humour”

Read the article  →

Press

exibart.com

28 August 2020
“Chiara Lecca: Clarulecis e lo studio a cielo aperto

Read the article  →

artribune.com

21 August 2020
“Uno studio d’artista nel cuore di un bosco. Clarulecis, il progetto di Chiara Lecca”

Read the article  →

Arte

May 2019
“Chiara Lecca indaga il limite sottile tra inganno e realtà”

Read the article  →

Exibart

November 2017
“222 artisti emergenti su cui investire”

Read the article  →

Arte

July 2017
“Le sorprese che riserva la scultura di Chiara Lecca”

Read the article  →

Corriere di Bologna

19 January 2017
“A fior di pelle, i totem di Chiara Lecca”

Read the article  →

Il resto del Carlino

19 January 2017
“Lecca, nature morte e brividi A fior di pelle”

Read the article  →

Arte

May 2015
“Cortocircuiti, la verità nella finzione”

Read the article  →

Arte

December 2008
“Horror con humour”

Read the article  →

Exhibitions

SOLO EXHIBITIONS

CHIARA LECCA
…del maiale non si butta niente

Opening 15 November, 2008
18 November to 22 December, 2008

Exhibition  →

GROUP EXHIBITIONS

Spaces as Places as Stages

opening 26 October, 2023
26 October to 20 December, 2023

Exhibition  →

Questioning the Functionality

Opening 7 October, 2022
7 October to 2 December, 2022

Exhibition  →

Switch On 3

Opening 23 February, 2017
24 February to 1 April, 2017

Exhibition  →

Exhibitions

SOLO EXHIBITIONS

CHIARA LECCA
…del maiale non si butta niente

Opening 15 November, 2008
18 November to 22 December, 2008

Exhibition  →

GROUP EXHIBITIONS

Spaces as Places as Stages

opening 26 October, 2023
26 October to 20 December, 2023

Exhibition  →

Questioning the Functionality

Opening 7 October, 2022
7 October to 2 December, 2022

Exhibition  →

Switch On 3

Opening 23 February, 2017
24 February to 1 April, 2017

Exhibition  →

Institutions

Chiara Lecca

Lapped Rocks (2017)
Retroterra, a cura di MCZ
Museo Carlo Zauli, Faenza
Ph. Olimpia Lalli

Chiara Lecca

Fake Marbles (2013)
Quod Paret, a cura di Elisabetta Pozzetti
Naturkundemuseum Im Ottoneum, Kassel
Ph. Werner Maschmann

Chiara Lecca

Bigbubble series (2012)
Mimicry, a cura di Fabio Carnaghi
Villa Rusconi, Castano Primo, Milano

Institutions

Chiara Lecca

Lapped Rocks (2017)
Retroterra, a cura di MCZ
Museo Carlo Zauli, Faenza
Ph. Olimpia Lalli

Chiara Lecca

Fake Marbles (2013)
Quod Paret, a cura di Elisabetta Pozzetti
Naturkundemuseum Im Ottoneum, Kassel
Ph. Werner Maschmann

Chiara Lecca

Bigbubble series (2012)
Mimicry, a cura di Fabio Carnaghi
Villa Rusconi, Castano Primo, Milano

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