Peter Welz

By 2 July 2019 Artists

PETER WELZ

PETER WELZ

Biography

Peter Welz was born in Lauingen (D) in 1972, he lives and works in Berlin. He studied at the National College of Art and Design in Dublin (1993-1995), at the Cooper Union in New York (1997) and at the Chelsea School of Art in London (1995-1998). Since the beginning of the 2000s, he developed a personal kinetic perspective using the video as a sculptural expression on moving bodies. His work is characterized by multimedia choreographic installations including sculpture, painting, video, art and dance. The artist’s interest in architecture and movement led him to work on the series “Portrait”, an ongoing visual study based on four subjects: Francis Bacon, Casa Malaparte, Michelangelo Antonioni, AA Bronson. The encounter with William Forsythe, a leading figure in contemporary dance, has been significant for the launch of the first “portrait” and the making of the installation “Retranslation | Final Unfinished Portrait (Francis Bacon)” presented at Musée du Louvre in Paris in 2005. The unfinished portrait left by the artist before his death in 1992 is the central point of the work.

The Casa Malaparte series is dedicated to that masterpiece of modern architecture designed by architect Adalberto Libera on the island of Capri. A source of inspiration for Jean Luc Godard who filmed part of the film “Le Mépris” in 1963, Peter Welz has been working on the film’s frames removing the bodies and leaving only the naked architecture to interact with the space. In the third portrait, the artist worked on never-seen-before scenes from the movie “Deserto Rosso” (1964) by Michelangelo Antonioni, precisely on the crucial moment when the main character played by Monica Vitti is asked to cry. Peter Welz has been exhibiting in solo exhibitions in important institutions, such as: Museum Pfalzgalerie, Kaiserslautern (2010), National Gallery of Modern Art, Rome (2009), Museum für Moderne Kunst Weserburg, Bremen (2008), Museum für Gegenwartskuns, Hamburg (2007 ), Musée du Louvre, Paris (2006), The Renaissance Society, Chicago and Museum for Modern Kunst, Goslar (2005), Irish Museum of Modern Art, Dublin (2004), Goethe Institute, St. Petersburg (2003).

Among the collective exhibitions in institutions: Vestfossen Kunstlaboratorium, Oslo (2018), Le Tripostal, Lille (2017), La Cinémathèque Française, Paris (2015), Museum für Moderne Kunst Weserburg, Bremen (2014, 2008), National Museum of Modern Art, Tokyo (2013), Museum für Moderne Kunst, Frankfurt (2011), Kunsthalle Hamburg, Hamburg (2010), Museum für Gegenwartskunst, Siegen (2007), Museum Ludwig, Cologne (2006), Museum of Contemporary Art, Denver (2005), Vincent van Gogh Institute, Venray (2002), ICA Institute for Contemporary Arts, London (2001). The collaboration between Peter Welz and Galleria Fumagalli began in 2005 with the artist’s participation in the collective exhibition “VISIONI, 20 artists in Sant’Agostino” in Bergamo. It continued in 2009 with the opening of Peter Welz’s first solo show at the gallery, followed in 2014 with the exhibition “Portraits | Installations” and in 2016 “Portrait Malaparte” presented in the new gallery location in Milan.

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Biography

Peter Welz was born in Lauingen (D) in 1972, he lives and works in Berlin. He studied at the National College of Art and Design in Dublin (1993-1995), at the Cooper Union in New York (1997) and at the Chelsea School of Art in London (1995-1998). Since the beginning of the 2000s, he developed a personal kinetic perspective using the video as a sculptural expression on moving bodies. His work is characterized by multimedia choreographic installations including sculpture, painting, video, art and dance. The artist’s interest in architecture and movement led him to work on the series “Portrait”, an ongoing visual study based on four subjects: Francis Bacon, Casa Malaparte, Michelangelo Antonioni, AA Bronson. The encounter with William Forsythe, a leading figure in contemporary dance, has been significant for the launch of the first “portrait” and the making of the installation “Retranslation | Final Unfinished Portrait (Francis Bacon)” presented at Musée du Louvre in Paris in 2005. The unfinished portrait left by the artist before his death in 1992 is the central point of the work.

The Casa Malaparte series is dedicated to that masterpiece of modern architecture designed by architect Adalberto Libera on the island of Capri. A source of inspiration for Jean Luc Godard who filmed part of the film “Le Mépris” in 1963, Peter Welz has been working on the film’s frames removing the bodies and leaving only the naked architecture to interact with the space. In the third portrait, the artist worked on never-seen-before scenes from the movie “Deserto Rosso” (1964) by Michelangelo Antonioni, precisely on the crucial moment when the main character played by Monica Vitti is asked to cry. Peter Welz has been exhibiting in solo exhibitions in important institutions, such as: Museum Pfalzgalerie, Kaiserslautern (2010), National Gallery of Modern Art, Rome (2009), Museum für Moderne Kunst Weserburg, Bremen (2008), Museum für Gegenwartskuns, Hamburg (2007 ), Musée du Louvre, Paris (2006), The Renaissance Society, Chicago and Museum for Modern Kunst, Goslar (2005), Irish Museum of Modern Art, Dublin (2004), Goethe Institute, St. Petersburg (2003).

Among the collective exhibitions in institutions: Vestfossen Kunstlaboratorium, Oslo (2018), Le Tripostal, Lille (2017), La Cinémathèque Française, Paris (2015), Museum für Moderne Kunst Weserburg, Bremen (2014, 2008), National Museum of Modern Art, Tokyo (2013), Museum für Moderne Kunst, Frankfurt (2011), Kunsthalle Hamburg, Hamburg (2010), Museum für Gegenwartskunst, Siegen (2007), Museum Ludwig, Cologne (2006), Museum of Contemporary Art, Denver (2005), Vincent van Gogh Institute, Venray (2002), ICA Institute for Contemporary Arts, London (2001). The collaboration between Peter Welz and Galleria Fumagalli began in 2005 with the artist’s participation in the collective exhibition “VISIONI, 20 artists in Sant’Agostino” in Bergamo. It continued in 2009 with the opening of Peter Welz’s first solo show at the gallery, followed in 2014 with the exhibition “Portraits | Installations” and in 2016 “Portrait Malaparte” presented in the new gallery location in Milan.

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Works

Peter Welz, Airdrawing. Whenever on on on nowhow on, 2004. Projection on pencil drawings, 61x86 cm

Peter Welz, Airdrawing. Whenever on on on nowhow on, 2004. Projection on pencil drawings, 61x86 cm

Peter Welz, Airdrawing. Whenever on on on nowhow on, 2004
Projection on pencil drawings, 61x86 cm
Peter Welz, Studies for retranslaton (Distortion, Side), 2005. Photographs and handwritten text on paper, 61x86 cm

Peter Welz, Studies for retranslaton (Distortion, Side), 2005. Photographs and handwritten text on p

Peter Welz, Studies for retranslaton (Distortion, Side), 2005
Photographs and handwritten text on paper, 61x86 cm
Peter Welz, Studies for retranslaton (Distortion, Side), 2005. Photographs and handwritten text on paper, 61x86 cm

Peter Welz, Studies for retranslaton (Distortion, Side), 2005. Photographs and handwritten text on p

Peter Welz, Studies for retranslaton (Distortion, Side), 2005
Photographs and handwritten text on paper, 61x86 cm
Peter Welz, Studies for retranslation. William Forsythe - F. Bacon. Merge. Take 01. Above, 2007. Projection on photographic paper, 80x120 cm

Peter Welz, Studies for retranslation. William Forsythe - F. Bacon. Merge. Take 01. Above, 2007. Pro

Peter Welz, Studies for retranslation. William Forsythe - F. Bacon. Merge. Take 01. Above, 2007
Projection on photographic paper, 80x120 cm
Peter Welz, Studies for retranslation. William Forsythe - F. Bacon. Merge. Take 01. Above, 2007. Projection on photographic paper, 80x120 cm

Peter Welz, Studies for retranslation. William Forsythe - F. Bacon. Merge. Take 01. Above, 2007. Pro

Peter Welz, Studies for retranslation. William Forsythe - F. Bacon. Merge. Take 01. Above, 2007
Projection on photographic paper, 80x120 cm
Peter Welz, Double screen leaning. Figure inscribing a circle, 2008. Video on projection cloth, 300x400 cm cad.

Peter Welz, Double screen leaning. Figure inscribing a circle, 2008. Video on projection cloth, 300x

Peter Welz, Double screen leaning. Figure inscribing a circle, 2008
Video on projection cloth, 300x400 cm cad.
Peter Welz, Figure inscribing a circle. Random collage. Spilt (Figure). Single-Double, 2008. Video on mirror and wooden wall, 82x200x160 cm

Peter Welz, Figure inscribing a circle. Random collage. Spilt (Figure). Single-Double, 2008. Video o

Peter Welz, Figure inscribing a circle. Random collage. Spilt (Figure). Single-Double, 2008
Video on mirror and wooden wall, 82x200x160 cm
Peter Welz, Figure descending a stair case. Model for Casa Malaparte, 2009. Video projection on model, 60x120x80 cm

Peter Welz, Figure descending a stair case. Model for Casa Malaparte, 2009. Video projection on mode

Peter Welz, Figure descending a stair case. Model for Casa Malaparte, 2009
Video projection on model, 60x120x80 cm
Peter Welz, Studies for figure descending a stair case. Casa Malaparte, 2009. Photographs on paper, 61x86 cm

Peter Welz, Studies for figure descending a stair case. Casa Malaparte, 2009. Photographs on paper,

Peter Welz, Studies for figure descending a stair case. Casa Malaparte, 2009
Photographs on paper, 61x86 cm
Peter Welz, Studies for figure descending a stair case. Casa Malaparte, 2009. Photographs on paper, 61x86 cm

Peter Welz, Studies for figure descending a stair case. Casa Malaparte, 2009. Photographs on paper,

Peter Welz, Studies for figure descending a stair case. Casa Malaparte, 2009
Photographs on paper, 61x86 cm
Peter Welz, Studies for figure descending a stair case. Casa Malaparte, 2009. Photographs on paper, 61x86 cm

Peter Welz, Studies for figure descending a stair case. Casa Malaparte, 2009. Photographs on paper,

Peter Welz, Studies for figure descending a stair case. Casa Malaparte, 2009
Photographs on paper, 61x86 cm
Peter Welz, Study for a video sculpture | Michelangelo Antonioni, 2011. Model, photographs on paper, fotografia su carta, still on photographic paper, variable dimensions

Peter Welz, Study for a video sculpture | Michelangelo Antonioni, 2011. Model, photographs on paper,

Peter Welz, Study for a video sculpture | Michelangelo Antonioni, 2011
Model, photographs on paper , fotografia su carta, still on photographic paper, variable dimensions
Peter Welz, Portrait | Casa Malaparte, 2014. Photographic print on aluminum, 70x100 cm

Peter Welz, Portrait | Casa Malaparte, 2014. Photographic print on aluminum, 70x100 cm

Peter Welz, Portrait | Casa Malaparte, 2014
Photographic print on aluminum, 70x100 cm
Peter Welz, Portrait | Casa Malaparte, 2014. Photographic print on aluminum, 70x100 cm

Peter Welz, Portrait | Casa Malaparte, 2014. Photographic print on aluminum, 70x100 cm

Peter Welz, Portrait | Casa Malaparte, 2014
Photographic print on aluminum, 70x100 cm
Peter Welz, Portrait | Casa Malaparte, 2014. Photographic print on aluminum, 70x100 cm

Peter Welz, Portrait | Casa Malaparte, 2014. Photographic print on aluminum, 70x100 cm

Peter Welz, Portrait | Casa Malaparte, 2014
Photographic print on aluminum, 70x100 cm
Peter Welz, Portrait | Casa Malaparte, 2014. Photographic print on aluminum, 70x100 cm

Peter Welz, Portrait | Casa Malaparte, 2014. Photographic print on aluminum, 70x100 cm

Peter Welz, Portrait | Casa Malaparte, 2014
Photographic print on aluminum, 70x100 cm
Peter Welz, Study | Portrait | Casa Malaparte, 2014. Photographs on paper, 73×98 cm

Peter Welz, Study | Portrait | Casa Malaparte, 2014. Photographs on paper, 73×98 cm

Peter Welz, Study | Portrait | Casa Malaparte, 2014
Photographs on paper, 73×98 cm
Peter Welz, Study | Portrait | Casa Malaparte, 2014. Photograph on paper, 73×98 cm

Peter Welz, Study | Portrait | Casa Malaparte, 2014. Photograph on paper, 73×98 cm

Peter Welz, Study | Portrait | Casa Malaparte, 2014
Photograph on paper, 73×98 cm
Peter Welz, Study | Portrait | Casa Malaparte, 2014. Photograph on paper, 73×98 cm

Peter Welz, Study | Portrait | Casa Malaparte, 2014. Photograph on paper, 73×98 cm

Peter Welz, Study | Portrait | Casa Malaparte, 2014
Photograph on paper, 73×98 cm
Peter Welz, Study | Portrait | Casa Malaparte, 2014. Photograph on paper, 73×98 cm

Peter Welz, Study | Portrait | Casa Malaparte, 2014. Photograph on paper, 73×98 cm

Peter Welz, Study | Portrait | Casa Malaparte, 2014
Photograph on paper, 73×98 cm
Peter Welz, Study | Portrait | Casa Malaparte, 2014. Photograph on paper, 73×98 cm

Peter Welz, Study | Portrait | Casa Malaparte, 2014. Photograph on paper, 73×98 cm

Peter Welz, Study | Portrait | Casa Malaparte, 2014
Photograph on paper, 73×98 cm
Peter Welz, Study | Portrait | Michelangelo Antonioni, 2014. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Michelangelo Antonioni, 2014. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Michelangelo Antonioni, 2014
Photographs on paper, 53x73 cm
Peter Welz, Study | Portrait | Michelangelo Antonioni, 2014. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Michelangelo Antonioni, 2014. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Michelangelo Antonioni, 2014
Photographs on paper, 53x73 cm
Peter Welz, Study | Portrait | Michelangelo Antonioni, 2014. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Michelangelo Antonioni, 2014. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Michelangelo Antonioni, 2014
Photographs on paper, 53x73 cm
Peter Welz, Study | Portrait | Vitti Antonioni, 2017. Photographs on papera, 53x73 cm

Peter Welz, Study | Portrait | Vitti Antonioni, 2017. Photographs on papera, 53x73 cm

Peter Welz, Study | Portrait | Vitti Antonioni, 2017
Photographs on papera, 53x73 cm
Peter Welz, Study | Portrait | Vitti Antonioni, 2017. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Vitti Antonioni, 2017. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Vitti Antonioni, 2017
Photographs on paper, 53x73 cm
Peter Welz, Study | Portrait | Vitti Antonioni, 2017. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Vitti Antonioni, 2017. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Vitti Antonioni, 2017
Photographs on paper, 53x73 cm
Peter Welz, Study | Portrait | Vitti Antonioni, 2018. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Vitti Antonioni, 2018. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Vitti Antonioni, 2018
Photographs on paper, 53x73 cm

Works

Peter Welz, Airdrawing. Whenever on on on nowhow on, 2004. Projection on pencil drawings, 61x86 cm

Peter Welz, Airdrawing. Whenever on on on nowhow on, 2004. Projection on pencil drawings, 61x86 cm

Peter Welz, Airdrawing. Whenever on on on nowhow on, 2004
Projection on pencil drawings, 61x86 cm
Peter Welz, Studies for retranslaton (Distortion, Side), 2005. Photographs and handwritten text on paper, 61x86 cm

Peter Welz, Studies for retranslaton (Distortion, Side), 2005. Photographs and handwritten text on p

Peter Welz, Studies for retranslaton (Distortion, Side), 2005
Photographs and handwritten text on paper, 61x86 cm
Peter Welz, Studies for retranslaton (Distortion, Side), 2005. Photographs and handwritten text on paper, 61x86 cm

Peter Welz, Studies for retranslaton (Distortion, Side), 2005. Photographs and handwritten text on p

Peter Welz, Studies for retranslaton (Distortion, Side), 2005
Photographs and handwritten text on paper, 61x86 cm
Peter Welz, Studies for retranslation. William Forsythe - F. Bacon. Merge. Take 01. Above, 2007. Projection on photographic paper, 80x120 cm

Peter Welz, Studies for retranslation. William Forsythe - F. Bacon. Merge. Take 01. Above, 2007. Pro

Peter Welz, Studies for retranslation. William Forsythe - F. Bacon. Merge. Take 01. Above, 2007
Projection on photographic paper, 80x120 cm
Peter Welz, Studies for retranslation. William Forsythe - F. Bacon. Merge. Take 01. Above, 2007. Projection on photographic paper, 80x120 cm

Peter Welz, Studies for retranslation. William Forsythe - F. Bacon. Merge. Take 01. Above, 2007. Pro

Peter Welz, Studies for retranslation. William Forsythe - F. Bacon. Merge. Take 01. Above, 2007
Projection on photographic paper, 80x120 cm
Peter Welz, Double screen leaning. Figure inscribing a circle, 2008. Video on projection cloth, 300x400 cm cad.

Peter Welz, Double screen leaning. Figure inscribing a circle, 2008. Video on projection cloth, 300x

Peter Welz, Double screen leaning. Figure inscribing a circle, 2008
Video on projection cloth, 300x400 cm cad.
Peter Welz, Figure inscribing a circle. Random collage. Spilt (Figure). Single-Double, 2008. Video on mirror and wooden wall, 82x200x160 cm

Peter Welz, Figure inscribing a circle. Random collage. Spilt (Figure). Single-Double, 2008. Video o

Peter Welz, Figure inscribing a circle. Random collage. Spilt (Figure). Single-Double, 2008
Video on mirror and wooden wall, 82x200x160 cm
Peter Welz, Figure descending a stair case. Model for Casa Malaparte, 2009. Video projection on model, 60x120x80 cm

Peter Welz, Figure descending a stair case. Model for Casa Malaparte, 2009. Video projection on mode

Peter Welz, Figure descending a stair case. Model for Casa Malaparte, 2009
Video projection on model, 60x120x80 cm
Peter Welz, Studies for figure descending a stair case. Casa Malaparte, 2009. Photographs on paper, 61x86 cm

Peter Welz, Studies for figure descending a stair case. Casa Malaparte, 2009. Photographs on paper,

Peter Welz, Studies for figure descending a stair case. Casa Malaparte, 2009
Photographs on paper, 61x86 cm
Peter Welz, Studies for figure descending a stair case. Casa Malaparte, 2009. Photographs on paper, 61x86 cm

Peter Welz, Studies for figure descending a stair case. Casa Malaparte, 2009. Photographs on paper,

Peter Welz, Studies for figure descending a stair case. Casa Malaparte, 2009
Photographs on paper, 61x86 cm
Peter Welz, Studies for figure descending a stair case. Casa Malaparte, 2009. Photographs on paper, 61x86 cm

Peter Welz, Studies for figure descending a stair case. Casa Malaparte, 2009. Photographs on paper,

Peter Welz, Studies for figure descending a stair case. Casa Malaparte, 2009
Photographs on paper, 61x86 cm
Peter Welz, Study for a video sculpture | Michelangelo Antonioni, 2011. Model, photographs on paper, fotografia su carta, still on photographic paper, variable dimensions

Peter Welz, Study for a video sculpture | Michelangelo Antonioni, 2011. Model, photographs on paper,

Peter Welz, Study for a video sculpture | Michelangelo Antonioni, 2011
Model, photographs on paper , fotografia su carta, still on photographic paper, variable dimensions
Peter Welz, Portrait | Casa Malaparte, 2014. Photographic print on aluminum, 70x100 cm

Peter Welz, Portrait | Casa Malaparte, 2014. Photographic print on aluminum, 70x100 cm

Peter Welz, Portrait | Casa Malaparte, 2014
Photographic print on aluminum, 70x100 cm
Peter Welz, Portrait | Casa Malaparte, 2014. Photographic print on aluminum, 70x100 cm

Peter Welz, Portrait | Casa Malaparte, 2014. Photographic print on aluminum, 70x100 cm

Peter Welz, Portrait | Casa Malaparte, 2014
Photographic print on aluminum, 70x100 cm
Peter Welz, Portrait | Casa Malaparte, 2014. Photographic print on aluminum, 70x100 cm

Peter Welz, Portrait | Casa Malaparte, 2014. Photographic print on aluminum, 70x100 cm

Peter Welz, Portrait | Casa Malaparte, 2014
Photographic print on aluminum, 70x100 cm
Peter Welz, Portrait | Casa Malaparte, 2014. Photographic print on aluminum, 70x100 cm

Peter Welz, Portrait | Casa Malaparte, 2014. Photographic print on aluminum, 70x100 cm

Peter Welz, Portrait | Casa Malaparte, 2014
Photographic print on aluminum, 70x100 cm
Peter Welz, Study | Portrait | Casa Malaparte, 2014. Photograph on paper, 73×98 cm

Peter Welz, Study | Portrait | Casa Malaparte, 2014. Photograph on paper, 73×98 cm

Peter Welz, Study | Portrait | Casa Malaparte, 2014
Photograph on paper, 73×98 cm
Peter Welz, Study | Portrait | Casa Malaparte, 2014. Photograph on paper, 73×98 cm

Peter Welz, Study | Portrait | Casa Malaparte, 2014. Photograph on paper, 73×98 cm

Peter Welz, Study | Portrait | Casa Malaparte, 2014
Photograph on paper, 73×98 cm
Peter Welz, Study | Portrait | Casa Malaparte, 2014. Photograph on paper, 73×98 cm

Peter Welz, Study | Portrait | Casa Malaparte, 2014. Photograph on paper, 73×98 cm

Peter Welz, Study | Portrait | Casa Malaparte, 2014
Photograph on paper, 73×98 cm
Peter Welz, Study | Portrait | Casa Malaparte, 2014. Photograph on paper, 73×98 cm

Peter Welz, Study | Portrait | Casa Malaparte, 2014. Photograph on paper, 73×98 cm

Peter Welz, Study | Portrait | Casa Malaparte, 2014
Photograph on paper, 73×98 cm
Peter Welz, Study | Portrait | Casa Malaparte, 2014. Photograph on paper, 73×98 cm

Peter Welz, Study | Portrait | Casa Malaparte, 2014. Photograph on paper, 73×98 cm

Peter Welz, Study | Portrait | Casa Malaparte, 2014
Photograph on paper, 73×98 cm
Peter Welz, Study | Portrait | Michelangelo Antonioni, 2014. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Michelangelo Antonioni, 2014. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Michelangelo Antonioni, 2014
Photographs on paper, 53x73 cm
Peter Welz, Study | Portrait | Michelangelo Antonioni, 2014. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Michelangelo Antonioni, 2014. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Michelangelo Antonioni, 2014
Photographs on paper, 53x73 cm
Peter Welz, Study | Portrait | Michelangelo Antonioni, 2014. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Michelangelo Antonioni, 2014. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Michelangelo Antonioni, 2014
Photographs on paper, 53x73 cm
Peter Welz, Study | Portrait | Vitti Antonioni, 2017. Photographs on papera, 53x73 cm

Peter Welz, Study | Portrait | Vitti Antonioni, 2017. Photographs on papera, 53x73 cm

Peter Welz, Study | Portrait | Vitti Antonioni, 2017
Photographs on papera, 53x73 cm
Peter Welz, Study | Portrait | Vitti Antonioni, 2017. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Vitti Antonioni, 2017. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Vitti Antonioni, 2017
Photographs on paper, 53x73 cm
Peter Welz, Study | Portrait | Vitti Antonioni, 2017. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Vitti Antonioni, 2017. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Vitti Antonioni, 2017
Photographs on paper, 53x73 cm
Peter Welz, Study | Portrait | Vitti Antonioni, 2018. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Vitti Antonioni, 2018. Photographs on paper, 53x73 cm

Peter Welz, Study | Portrait | Vitti Antonioni, 2018
Photographs on paper, 53x73 cm

Exhibitions

SOLO EXHIBITIONS

PETER WELZ
Portrait Malaparte

Opening 16 November 2016
17 November to 20 December 2016

Exhibition  →

PETER WELZ
Portraits | Installations

Opening 13 November 2014
14 November 2014 to 6 January 2015

Exhibition  →

PETER WELZ

Opening 10 October 2009
13 October to 30 November 2009

Exhibition  →

GROUP EXHIBITIONS

Visioni. 20 artisti a Sant’Agostino

9 April to 11 June 2005

Exhibition  →

Exhibitions

SOLO EXHIBITIONS

PETER WELZ
Portrait Malaparte

Opening 16 November 2016
17 November to 20 December 2016

Exhibition  →

PETER WELZ
Portraits | Installations

Opening 13 November 2014
14 November 2014 to 6 January 2015

Exhibition  →

PETER WELZ

Opening 10 October 2009
13 October to 30 November 2009

Exhibition  →

GROUP EXHIBITIONS

Visioni. 20 artisti a Sant’Agostino

9 April to 11 June 2005

Exhibition  →

Institutions

Peter Welz

Francis Bacon, MoMAT Tokyo
National Museum of Modern Art, Tokyo, Japan 2013

Peter Welz

Portrait #2 [Casa Malaparte]
Model 1:1, Mies van der Rohe, Krefeld, Germany 2013

Institutions

Peter Welz

Francis Bacon, MoMAT Tokyo
National Museum of Modern Art, Tokyo, Japan 2013

Peter Welz

Portrait #2 [Casa Malaparte]
Model 1:1, Mies van der Rohe, Krefeld, Germany 2013

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